December 2009

Ways of Working. Iris Dressler vs Daniel G. Andújar

Corversation

The Unavowable Community

Iris Dressler: In one of our recent conversations, you described how the machinery of the bigger art institutions alienates the artists from their work to a certain extent. You put it more or less in the following way: the artist, arriving at the museum to install his or her works, is sent to luxury hotels, restaurants and bars, while an armada of professionals—technicians, restorers, architects, designers, coordinators, assistants and so forth—care for the ‘proper’ presentation and communication of his of her work, following the standards of the respective institution. This is not to mention that at this moment the curator and the PR and education departments have long since defined—again in line with the conventions of the respective house—the ways of mediating the artist’s works. The artist, finally arriving at the ‘ready-to-go’ exhibition, might be shocked, as he or she no longer recognises his or her work the way it is embodied in and absorbed by the corporate setting. But it is too late: the press, board, VIPs and the like are already standing by. These attitudes and workflows of the institutional machinery are of course not a new phenomenon if you just remember the cartoon-like diagram Average Day at the Museum by the MoMA from the 1940s. But it seems that until now museums in particular are largely ignoring over 40 years of ongoing and quite diverse practices as well as discourses of institutional critique. They instead basically submit themselves far too voluntarily to almost phantasmal political pressures regarding the museum’s city marketing and tourist impact, fixating on irrational growth in visitor numbers and pulling in lucrative and glamorous private corporations. In my view, these politically indoctrinated ‘missions’ of the museum (which go hand in hand with corporate demands) have nothing to do—as is often claimed—with the financial needs of museum maintenance. They are solely about putting the museum on a prestigious stage for business and politics. By this logic, the artist seems to be a sort of alien, a disruptive factor that needs to be sedated to fit in with the museum’s rhetoric.

Daniel G. Andújar: Artistic practice, as I conceive it, must be transformed into a form of ‘resistance’ against a model obstinately aimed at prevailing in a space of relations that is becoming more and more confused, normalised, globalised, hierarchical, diffused, standardised and so on. Our society, economy and culture are founded upon interests, values, institutions, and systems of representation that, in general terms, limit creativity, confiscate and manipulate the artist’s work and divert his energy toward sterile confrontation and discouragement.

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On és la bretxa? Debat obert sobre el funcionament de la cadena de valor en les Arts Visuals

10 de desembre de 2009 al TPK Arts Plàstiques (Av. Josep Tarradellas, 44. L’Hospitalet de Llobregat). Organitza: Xarxaprod.


PROGRAMACIÓ SESSIÓ TARDA ( Oberta al públic)

Transmissió per streaming a càrrec de ComafoscaTV (http://comafoscatv.net)

16:30-17:45h- Ponència/conferència de presentació del sector de la producció científica: funcionament i relacions entre els agents actius. A càrrec de Reimond Fickert.

17:45-18:00h- Pausa, cafè.

18:00- 20:00h- La sostenibilitat del sector de les Arts Visuals vist des de la seva cadena de valor i des dels vincles necessaris per al sistema.

Modera: Francesca Minguella (PARTners). Participen: Daniel García Andújar, Alicia Vela, Ramon Parramon, Jorge Luis Marzo i Àngels de la Mota.

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Territoris de Fricció

Del 4 de desembre de 2009 al 17 de gener de 2010
Exposició comissariada per Miquel Bardagil

////////////////////// ACVIC Centre d’Arts Contemporànies. Vic [en procés]

C. Sant Francesc, 1. E-08500 VIC / tel ++34 938853704 //////////////////////

Una mirada des de la col·lecció d’art contemporani del Museu d’Art Jaume Morera de Lleida

Valeriano López | Francesc Ruiz | Pauline Fondevila | Javier Peñafiel | Karmelo Bermejo | Dionís Escorsa | La Ribot | Iñaki Àlvarez | Daniel García Andújar | Alícia Framis

dilluns, 16 / novembre / 2009
Organitza:
ACVIC. Centre d’Art
Ajuntament de Vic
Generalitat de Catalunya. Departament de Cultura i Mitjans de Comunicació
H.Associació per a les Arts Contemporànies
Museu d’Art Jaume Morera
Ajuntament de Lleida

Amb la col·laboració de:
Centre d’Art la Panera

Per més informació: descarregar arxiu.pdfEtiquetes de comentaris:

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