Daniel G. Andújar Archive


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  • Media Links http://founder.china.cn/art/zixun/2009-07/25/content_3038757.htm http://finance.sina.com.cn/stock/t/20090725/01226527262.shtml http://exhibit.artron.net/zl.php?zlid=8554 http://gallery.artron.net/index.php http://exhibit.artron.net/zl.php?zlid=8554 http://cul.sohu.com/20090622/n264680901.shtml http://www.u2lux.com/2009/0622/12368_2.html http://www.ionly.com.cn/nbo/zhanlan/zhanlaninfo.aspx?id=2345 http://www.art-ba-ba.com/blog/U/Show.asp?/_articleid/26199.html http://www.art218.com/bbs/thread-51998-1-1.html http://news.99ys.com/20090726/article–090726–27910_1.shtml http://www.cafa.com.cn/news/?N=313 http://art-here.net/html/av/7969.html http://www.artlinkart.com/exhibition/overview/795auCmo http://www.artcalendr.com/index.cfm/events/calendar.eventDetail/title_id/5947786300/event/Postcapital%20-%20Archive%201989%20-%202001 http://www.soitu.es/soitu/2009/07/25/info/1248522828_378928.html http://www.cpanet.cn/cms/html/zixun/yingzhan/20090723/38313.html http://www.youthchina.org/?action-viewnews-itemid-2155 http://gallery.artxun.com/32/3163-news-8361.shtml http://www.thebeijinger.com/events/2009/Jul/POSTCAPITAL-ARCHIVE-1989-2001 http://www.cityweekend.com.cn/beijing/events/48892/ Related Images:

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  • Sophie MacKinnon, City Week Time, as Albert Einstein famously pointed out, is relative. And so too are our perceptions, a point that artist Daniel Garcia Andújar highlights in his exhibit “Postcapital Archive 1989-2001.” The ambitious exhibition seeks to document the opposition of political, ideological and social forces over a volatile 13-year period. For Andújar the post-capital era began with the fall of the Berlin Wall in ‘89 and ended with the falling of the Twin Towers in 2001 (note the exhibition title). Attempting to archive those years with over 250,000 documents, he juxtaposes key issues and the agendas that created…

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  • Bienal de Venecia CARLES GUERRA  – 12/08/2009, Culturas, La Vanguardia Las aportaciones más críticas con la fórmula de la Bienal proceden del pabellón catalán y de los Emiratos Árabes El mismo lunes que aterrizaba en Venecia, el ministro italiano de Administración pública provocaba al alcalde de la ciudad: “Venezia svenduta e mercificata” (Corriere della Sera,27/ VII/ 2009). El ministro Brunetta, escandalizado por el aspecto de algunos edificios históricos, cargaba así contra Cacciari. Este se defendía al día siguiente: “Non ho i soldi” (Corriere della Sera,28/ VII/ 2009), y explicaba que, si quería restaurar el Palacio de los Dogos no tenía…

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  • 글▮신보슬(큐레이터, 토탈미술관) 매번 느끼는 것이지만, 비엔날레는 늘 김빠진 사이다 같다. 광주/부산등의 한국비엔날레는 물론이고 비엔날레의 꽃이라 할 수 있는 베니스 비엔날레 역시 크게 다르지 않았다. 아무튼. 그럼에도 불구하고 예술이 세계를 반영하고 있다는 증명을 통해서 존재감을 드러내고 싶었는지 올 베니스 비엔날레는 세상 돌아가는 판과 크게 다르지 않았다. 두바이, 아부다비 의 건설 붐을 반영하듯 다양한 프로젝트가 소개되었다. 전시라기 보다는 도시 프로모션 부스같은 느낌이 좀 더 많이 들었지만, 중동 바람은 베니스에서도 확인할 수 있었다. 그 뿐 아니라, 러시아 올리가르흐 집안에서 만들었다는 소문의 전시도 있었으며, 국가관들은 경쟁적으로 M&A를 하듯 통합과 국가 개념과 무관한 전시들이 펼쳐졌다. 이들은 100 년이 넘는 비엔날레의 전통에 대한 도전처럼 보이기도 했고,…

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  • 内容概要：   今天下午5时，由瓦伦丁•洛马策划的《后资本文献1989 – 2001》于798伊比利亚当代艺术中心开幕并举行了新闻发布会。西班牙国际文化艺术基金会主席高平、中国对外文化集团公司总经理张宇、中国驻巴西大使夫 人刘敏来到了开幕现场，伊比利亚当代艺术中心总监夏季风、策展人瓦伦丁.洛马、艺术家丹尼埃尔.加西亚.安杜哈发表了开幕致辞。德国斯图加特符腾美术馆馆 长汉斯.D.克里斯特、伊利斯.德累斯勒女士、时间机器影像中心事业总监张朝明、时间机器影像中心推广总监马提龙作为嘉宾来到现场。 Related Images:

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  • Pekín, 25 jul (EFE).- La exposición “Postcapital. Archive 1989-2001” del español Daniel García Andújar inaugurada hoy en Pekín recoge 250.000 documentos compilados de Internet por el artista en los últimos diez años. Esta muestra es la misma que tuvo el pabellón catalán en la 53 edición de la bienal de Arte de Venecia, que combina una instalación multimedia, una plataforma, un banco de datos así como un taller en el que el visitante puede interactuar y llevarse una copia de los documentos en una memoria. Related Images:

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  • The project – lines of work Despite being presented as a unitary project, La comunitat inconfessable has three different lines of action: 1. An exhibition presenting the ideas generated by each of the participants (Sitesize/Joan Vila-Puig and Elvira Pujol, Technolo­gies To The People/Daniel G. Andújar and Archivo F.X./Pedro G. Romero) using the metaphor of a library as a reference point or visual interface. Thus, each intervention constitutes a “deconstructed” approach -i.e., distorted, unconstructed, destroyed or under construction- to this space of knowledge, learning and theatricality that is Borges’ interminable library, which functions here as a sort of meeting point of…

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  • Jornades internacionals de debat per a un nou Centre d’Art a Barcelona 6 i 7 de juliol, a l’Auditori del Macba, Barcelona Des de la proliferació de centres d’art a Europa a l’inici dels anys 80 fins a l’actualitat, el concepte de centre d’art s’ha modificat i ha evolucionat fins a seguir patrons diferents adaptats a cada context i a l’evolució de la tecnologia i la comunicació, a la convivència amb la indústria cultural i al caràcter multidisciplinari de l’art, a les noves pràctiques curatorials, a l’exercici de la mediació social i a les tasques de formació i educatives, en…

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  • Subversive Practices, EXHIBITION TOUR Curators: Valentín Roma and Daniel García Andújar Exhibition view Exhibition view, Detail Related Images:

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