Blog Archives

CV türkçe

Barcelona’da yaşayan Andújar, irational.org’un uzun süreli üyesi (http://irational.org/);
Technologies To The People’ın (Halk için Teknolojiler) kurucusu; art-net-dortmund, e-barcelona.org, e-valencia.org, e-seoul.org, e-wac.org, e-sevilla.org, e-madrid.org gibi İnternet üzerindeki çok sayıda projenin yaratıcısıdır. Pek çok ülkede
sanatçılar ve sosyal kolektifler için atölye çalışmaları yönetmiştir. En son projelerinden bazıları şunlardır: 53. Uluslararası Sanat Sergisi, Venedik Bienali (Katalan Pavyonu, Archivo F. X./Pedro G. Romero, sitesize; küratör: Valentín Roma); Postkapital. Arşiv (1989 – 2001), Württembergischer Kunstverein, Stuttgart; Kunst im Zeitalter des Geistigen Eigentums, Hartware MedienKunstVerein, Dortmund; Mediating Conşict, Maison de La Culture, Montreal; Herramientas del Arte, Parpalló, Valencia; Postcapital (Mauer). Museum for Modern Art Bremen; Trapped in Amber. Angst for a Reenacted Decade. Postcapital (Honor). UKS, Oslo, Norveç.

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Video Gallery

DANIEL GARCÍA ANDÚJAR – English Version from Oral Memories on Vimeo.

© Photographies, DANIEL GARCÍA ANDÚJAR, 2013.
© Video, Ministerio de Educación, Cultura y Deporte, 2013.


El artista multimedia y teórico del arte García Andújar impartió la conferencia “Estructuras de la imagen, hurgando el código” en el IED Madrid, dentro del Observatorio Cultural, un espacio creado por el Master of European Design Labs para examinar las derivas contemporáneas del mundo de la creación.
García Andújar (Almoradí, 1966) centra su trabajo en los campos del videoarte y el net.art, siendo uno de los creadores más críticos e irónicos del panorama artístico actual. Sus piezas son una invitación a reflexionar sobre el uso actual de los medios tecnológicos y de comunicación para desmontar el sistema de jerarquía dominante en éstos mediante la libre circulación de información, redes de cooperación y nuevos conceptos como el hacktivismo.

www.iedmadrid.com

Javier de la Cueva, Miguel Morey, Beatriz García i Daniel G. Andújar sobre el #15M – URGENT 2 #Plaça Pública from CCCB on Vimeo.

Daniel G. Andujar’s Projects from tttp on Vimeo.

Daniel García Andújar (Almoradí, 1966) is a visual media artist, activist and art theorist from Spain that lives and work in Barcelona. Andújar began his artistic activity in the late eighties, working mainly in the field of video, in projects of intervention in public spheres on the topics of racism and xenophobia, as well as the misuse of technology in surveillance systems. An artist who uses irony and presentation strategies that employ informational and communication technologies to question the democratic and equalitarian promises of these media and criticize the desire for control lying behind their apparent transparency. Most of his art projects are based on collaborative research that explores different political, historical, social and cultural phenomena and their media representations in a critical way: body politics, corruption, censorship, xenophobia, urban developments, the cultural industries, the inclusion and exclusion of technologies, the use of public space, etcetera. He created a fiction (Technologies To The People, 1996). It was originally presented as a virtual company dedicated to bringing technological advances closer to the least privileged, a sort of vague corporation that reproduced dissuasive language, the identity tics and visual archetypes associated with the commercial companies in the digital environment. A long-time member of irational.org (international reference point for art on the web), He have tried to encourage different collectives projects on the Internet such as art-net-dortmund, e-barcelona.org, e-valencia.org, e-seoul.org, e-sevilla.org, e-stuttgart.org, postcapital.org, e- madrid.org, etc. He has taught and directed numerous workshops for artists and social collectives in different countries.

Daniel G. Andújar / Technologies To The People Projects from tttp on Vimeo.

Nonetheless and in hindsight, it could be said that Daniel G. Andújar / Technologies To The People has developed four more or less distinct courses of action throughout its life span: one, shaped around the launch of various products with which the corporation meddles in the market, ridicules the productive capacity of the company itself and styles strategies for connecting and empathising with the hypothetical users. Among the most prominent projects in this sphere would be the Street Access Machine (1996), a machine allowing those begging in the street to access digital money; The Body Research Machine (1998), an interactive machine that scanned the body’s DNA strands, processing them for scientific experiments, and x-devian by knoppix, an open-source operating system presented as part of the Individual Citizen Republic Project: The System (2003) project. Another course the work takes would be the critical reflection on the art world TTTP presents through the Technologies to the People Foundation with its collections distributed free of charge—Photo Collection (1997), Video Collection (1998) and Net Art Classics Collection (1999)—already calling the idea of material and intellectual property into question during this period. A third conceptual area would be constituted by the creation of the so-called e- pages (e-arco.org, e-manifesta.org, e-seoul.org, e-valencia.org, e-barcelona.org, e-sevilla.org, e-norte.org and e-madrid.org among others), which have become true platforms for citizen reflection linked to a specific cultural environment and a very concrete set of problems. Also to be highlighted from among TTTP’s activities is the construction of the vast Postcapital Archive.

Postcapital Timeline (1989 – 2001) from tttp on Vimeo.

“Postcapital” revolves around the far-reaching changes having evolved worldwide in social, political, economic, and cultural realms over the last two decades, their watershed moments emblematized in the 1989 fall of the Berlin Wall and the attacks on September 11, 2001. Here, Andújar views the developments subsequent to the “fall of the Wall” not as aspects of postcommunism but rather of postcapitalism. Emerging here is the question as to what extent capitalist societies have changed in absence of their erstwhile counterparts and which new walls have been erected through the global politics following events of 1989 and 2001. Chronology
The expansive setting is framed by a voluminous frieze of images delineating a subjective chronology of events having taken place between 1989 and 2001. The first and last images are derived from an advertising campaign in a South African daily newspaper operating with the slogan “The world can change in a day.” One motif shows the Berlin Wall on November 8, 1989 and the other the square at New York’s World Trade Center on September 10, 2001.

Bòlit_Centre d’art contemporani Girona
La Comunitat inconfessable

presenta l’exposició “La Comunitat inconfessable”
comissariada per valentín Roma i amb la participació de:
Daniel G.Andújar (Technologies to the People),
Joan Vila-Puig i Elvira Pujol (Sitesize) i
Pedro G. Romero (Archivo F.X.).

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CV italiano

Daniel G. Andújar, 1996, Barcelona
www.danielandujar.org

Technologies To The People [Tecnologie al popolo] (TTTP) nasce nel 1996, come parte del progetto espositivo Discord. Sabotage of Realities [Dissenso. Sabotaggio delle realtà], realizzato presso la Kunstverein e la Kunsthaus di Amburgo. In principio si presentò come iniziativa virtuale finalizzata a fare avvicinare i progressi della tecnologia alle persone più svantaggiate, una sorta di associazione astratta che si occupava di riprodurre il linguaggio dissuasivo, i tic dell’identità e gli archetipi visivi legati alle società commerciali del settore digitale. Per definire il contesto in cui emerge TTTP, è importante fare riferimento all’esplosione che si stava preparando in quel periodo, allo stato embrionale, nell’universo delle tecnologie informatiche (IT); sorgevano infatti illusioni finanziarie – società quotate in borsa, iniziative rocambolesche o piattaforme senza definizione alcuna – le quali, pur acquisendo un incomprensibile protagonismo mediatico scomparivano come se non fossero mai esistite. Allo stesso tempo, e anche nella fase iniziale della rete, cominciarono a sorgere immaginari che idealizzavano in forma acritica un’ipotetica indipendenza e democratizzazione delle conoscenze che Internet avrebbe portato con sé, ma che poi, tuttavia, non si realizzò mai. Di conseguenza, TTTP si presenta come parodia nel doppio significato citato in precedenza, ovvero, come sconcertante rovescio della medaglia delle ipotetiche nefandezze delle società tecnologiche, ma anche come ironico contrappunto delle prediche degli apostoli della libertà digitale.

Ciò nonostante e se considerato in maniera retrospettiva, si potrebbe dire che durante il suo percorso, TTTP ha sviluppato quattro linee di attività più o meno distinte: una che si realizza intorno al lancio dei prodotti con cui l’associazione partecipa al mercato, ironizza sulla capacità produttiva della propria iniziativa e disegna strategie per collegarsi e creare empatia con gli ipotetici utenti. Nei progetti più importanti di questa sfera rientrano la Street Access Machine [Macchina di accesso alla strada] (1996), una macchina che permetteva a coloro che chiedevano l’elemosina per strada di accedere al denaro digitale; The Body Research Machine [La macchina di ricerca sul corpo] (1998), una galleria interattiva che scannerizzava le catene del DNA del corpo umano, elaborandole per esperimenti scientifici, infine l’x-devian by knoppix, un sistema operativo a codice aperto presentato come parte del progetto Individual Citizen Republic Project: El Sistema [Progetto di Repubblica del Cittadino Individuale: Il Sistema] (2003). Un altro percorso di lavoro è quello della riflessione critica impostata da TTTP sul mondo dell’arte attraverso la Fondazione Technologies to the People, con le sue collezioni di opere distribuite gratuitamente – Photo Collection [Collezione di foto] (1997), Video Collection [Collezione di video] (1998) e Net Art Classics Collection [Collezione di classici dell’arte in rete] (1999) – le quali, già in quel periodo, mettono in discussione l’idea di proprietà materiale e intellettuale. Una terza area concettuale è quella costituita dalla creazione delle cosiddette pagine “e-” (e-arco.org, e-manifesta.org, e-seoul.org, e-valencia.org, e-barcelona.org, e-sevilla.org, e-norte.org ed e-madrid.org, per fare alcuni esempi), che si sono trasformate in vere e proprie piattaforme di riflessione cittadina legate a un ambito culturale specifico e ad alcune problematiche molto concrete. Infine, tra le attività di TTTP vale la pena dedicare un’attenzione particolare alla costruzione del vasto Archivo Postcapital [Archivio postcapitale].

Exhibitions (Choice)

2009
-Postcapital (Mauer). Museum for Modern Art Bremen, Curated by: Anne Thurmann-Jejes. Germany
-Trapped in Amber. Angst for a Reenacted Decade. Postcapital (Honor). UKS, Oslo, Curated by: Helga-Marie Nordby, Bassam el Baroni. Norway
-Venice Bienal. Catalan Pavilion, with: Archivo F. X./Pedro G. Romero, sitesize; Curated by:
Valentín Roma. Italy
-Angel of History, Postcapital (copyright), Laboral , Curated by: Christiane Paul, Steve Dietz. Gijón. Spain
-Postcapital Archive (1989 – 2001), Iberia Art Center, Curated by: Valentín Roma. Beijing, China

2008
-Postcapital Archive (1989 – 2001), Württembergischer Kunstverein, Stuttgart, Curated by: Hans  D. Christ and Iris Dressler
-Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property, Library. Postcapital Archive. Hartware MedienKunstVerein, PHOENIX Halle Dortmund, Curated by: Inke Arns  and Francis Hunger. Germany
– La mediation du conflit/Mediating Conflict, Postcapital (Honor) Maison de La Culture, Montreal, Curated by: Sylvie Lacerte. Canada
-Muestra de Vídeo de Autores Españoles, MUA, Alicante, Curated by Aramis López, Spain
-Kosmotica II, e-paisaje.org. Centro de Cultura Contemporánea de Barcelona, Curated by: Juan Insua, David Casacuberta. Spain
– Herramientas del arte. Relecturas (Tools of Art: Re-readings), Parpalló, Valencia. With Rogelio López Cuenca and Isidoro Valcárcel Medina,, Curated by: Álvaro de los Ángeles. Spain
-Banquete_nodos y redes. LABoral Centro de Arte y Creación Industrial, Gijón, Curated by: Karin Ohlenschläger. Spain
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. Museum of Contemporary Art Vojvodina, Novi Sad. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Serbia
-e-paisaje.org, Instituto Cervantes, New York City, Pekin
-InterACCIONES ELECTORALES, Off Limits, Madrid. Spain
-e-idensitat.org. Projecte idensitat, Local | Visitante 2: Manresa; Spain
– 2nd Biennial 01SJ Global Festival of Art on the Edge, Zero1. San Jose, California, Curated by Steve Dietz. USA
-Close Window. Refresh, Senko Studio in Viborg, Curated by: Annette Finnsdottir. Denmark
-‘Unrecorded’ exhibition questions space. Hacklandscape. akbank Gallery Istanbul. Curated Başak Şenova. Turkey

2007

– X-Devian. The New Technologies To The People™ System. Aarhus Kunstbygning – Center for Contemporary Art. Curated by: Jacob Lillemose, Denmark
-Extremos del sexto continente. I Bienal del Fin del Mundo. Ushuaia Curated by: Gustavo Romano. Argentina
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. CCA Glasgow. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen).GB
-Pilot 3. VENICE 8-17 JUNE 2007, Monastery of St Damien and St Cosimo, La Giudecca, Venice
-Secret, Barcelona Toolbar, Matucana 100, Ciudad de Santiago de Chile, Curated by: Valentín Roma, Chile
-SINTOPÍAS, e-paisaje.org, Instituto Cervantes de Pekín, China

2006
-AYERMAÑANA, Facultad de Bellas Artes de Cuenca, Spain -404 Object not found_Seoul, Total Museum of Art, Seoul Curated by Natalie Boseul Shin, South Korea
-THE WONDERFUL WORLD OF IRATIONAL, Tools, Techniques and Events 1996-2006. Hartware MedienKunstVerein, PHOENIX Halle Dortmund. Curators: Inke Arns and Jacob Lillemose. Germany -HackLandscape. PhotoEspaña2006, Matadero Madrid, Curated by: Horacio Fernández. Spain

-Postcapital,  With  Carlos Garaicoa e Ivan de la Nuez, Palau de la Virreina, Barcelona, Spain
-e-sevilla.org. Centro de las Artes Sevilla, Curated by Pedro G. Romero, Spain

2005

-Nulles05, Contemporary Rural representations. Nulles, Spain -Cabanyal Portes Obertes, Valencia, Spain -Juego Doble: Mediactivismo y activismo en la red. With Fran Illich. Centro Cultural de España. Mexico DF. Mexico -MEDIASCAPES. Curated by: Montse Badia and Andreas Kaufmann, FUNDACIO LA CAIXA, Girona, Spain

-On Difference #1, 21. May – 31. July 2005, Württembergischer Kunstverein Stuttgart. Curateb by: Iris Dressler and Hans D. Christ, Stuttgart, Germany

-Pintar sense pintar. Centre d’Art la Panera. Lleida, Curated by: Spain

-Archive cultures: Representations. Monasterio de Nuestra Señora del Prado. Curated by Jorge Blasco. Valladolid, Spain

-MEDIASCAPES. Curated by: Montse Badia and Andreas Kaufmann, Fundacio la caixa, Tarragona, Spain

2004

-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, Curated by: Johan Pijnappel, Liz Hughes, Hans D Christ. Tilman Baumgaertel. Seoul Museum of Art. Seoul. South Korea

_PROCESSOS_OBERTS_ Curated by: Manuel Olveira. Tarrassa, Barcelona Spain

-MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Spain

-Ambulantes.  PORTABLE CULTURE. Curated by: Rosa Pera Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain
-Tour-isms. The defeat of dissent, critical itineraries. Curated by Nuria Enguita, Jorge Luis Marzo, Montse Romani. Fundació Antoni Tàpies, Barcelona

WORKSHOP (like director -selection)
2007
-The Aesthetic Interface, Aarhus Kunstbygning
-el laboratorio de los medios, e-idensitat.  Indensitat, Manresa, Mataró el laboratorio de los medios. Eina, Barcelona

2006
-DIT “Do It Together”, Activismo hacker y software libre, Centro Cultural Montehermoso. Vitoria-Gasteiz
-Construyendo e-sevilla.org. Centro Arte Sevilla, Spain

2005

-efimer.org. Arquitectura, art i espai efímer. UPC. Barcelona.

-PRÁCTICA ARTÍSTICA Y TECNOLOGÍAS DE INFORMACIÓN Y COMUNICACIÓN. Un encuentro teórico-práctico propuesto por Technologies To The People. Fundación Telefónica Argentina- Centro Cultural de España en Buenos Aires (CCEBA). Espacio Fundación Telefónica. Buenos Aires ARGENTINA.
-Prácticas de empoderamiento tecnológico. [reutilización de tecnología obsoleta y códigos abiertos para artistas]. Séptimas Jornadas de arte y medios digitales. Organizan: CCEC /L. Pagola/L. Benech//UNC / UBP / Esc de Artes UNC /. Cordoba. Argentina.
-Individual Citizen Republic Project .Centro Cultural de España. Mexico DF. Mexico e-Lab. Workshop, „On Difference #1: Lokale Kontexte – Hybride Räume“,Württembergischer Kunstverein Stuttgart, Stuttgart, Germany

-Technologies To The people: reutilización de ordenadores, Basurama05, La Casa Encendida, Madrid, Spain -Jornadas de Arte y Tecnología. Facultad de Bellas Artes de Valencia.

-The System, Workshop. Valencia Spain Public Space.Elisava Escola Universitaria. Barcelona, Spain

2004

-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, e-seoul.org. Seoul.South Korea -MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Spain

-Los espacios INTER(medios).Inestabilidad, creación y cultura digital. Prácticas artísticas (desde la socialización de la tecnología). Facultad de Bellas Artes. Pontevedra, Spain

-RAM 6 workshop entitled “Social Interaction & Collective Intelligence” Vilnius, Lithuania

-“Heimatwechsel“ (Change of Home) International Student Workshop. Phoenix Halle Dortmund, Germany
-Open Space. Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain

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CV chinese

艺术家简介:丹尼埃尔·G·安杜哈(Daniel García Andújar)
1966年出生,现居住、工作于巴塞罗纳。

作为多媒体艺术家,他在80年代后期开始使用进行视频艺术创作。作为Irational.org (international reference point for art on the web)的成员之一,他在1996年开始了“人类技术”(TTTP)项目,在互联网、及实体媒介两方面发展(展览、装置、光盘…)。研究多种概念诸如模 拟、真实性、版权、市场战略、媒介与力量间的关系、以及技术交流网络的全球化使用等等,此外还有在公共场所就种族歧视、排外等主题创作介入艺术,探讨监视 系统技术的滥用……

艺术家作为Irational.org网站的长期成员和技术为人民的创办者,他创造了大量基于互联网的项目,比如art-net- dortmund,e-barcelona.org, e-valencia.org, e-seoul.org, e-wac.org, e-sevilla.org, Materiales de artista等。同时,他也在很多国家指导了大量面向艺术家和社会团体的工作坊。

他的作品及项目在西班牙国内外许多地方展出,其中包括:2006年PhotoEspaña(摄影西班牙)、2001年柏林国际跨媒体艺术节(Transmediale)、巴黎蓬皮杜中心、2000年香港微波国际新媒体艺术节、美国波特兰美术馆、1999年伦敦ICA当代艺术中心等

2009年他还将以“Postcapital. Archive 1989 – 2001”项目参加威尼斯双年展。

艺术家丹尼埃尔·加西亚·安杜哈的作品还曾被德国斯图加特符腾堡美术馆(Württembergischer Kunstverein Stuttgart))、阿里坎特大学美术馆(MUA, Museo de la Universidad de Alicante)、巴斯克当代艺术中央美术馆(ARTIUM, Centro-Museo Vasco de Arte Contemporáneo)、多特蒙德艺术馆(Kunstverein Dortmund)和莱里达帕尼罗艺术中心(Centro de Arte la Panera de Lleida)等重要艺术机构收藏。

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CV srpski

Danijel Garsija Anduhar (Daniel García Andújar)

*1966. Barcelona

Danijel Garsija Anduhar radi pod banerom Tehnologija narodu (Technologies to The People (TTTP), i istražuje virtuelnost, autentičnost, prava na umnožavanje, sponzorstvo, medije i moć kao novu tehnologiju, zajedno sa pitanjima ko ima pristup tome svemu, taj to i širi po svetu. Umesto da se preda kvalitetu novih tehnologija koji podseća na fetiš, TTTP se fokusira na iznikla bojna polja. Umesto potpunog odbijanja, TTTP ima pragmatsku funkcionalnost kada se uzme u obzir šta se sve može desiti, a naše mogućnosti za akciju u društvu utopljenom u brzu fundamentalnu promenu. Trenje u radu TTTP leži u očiglednoj slobodi interneta, znanju koje ono sadrži i ko, zapravo, poseduje i širi to znanje kao sredstvo za razvoj moći.

Exhibitions (Choice)

2009
-Postcapital (Mauer). Museum for Modern Art Bremen, Curated by: Anne Thurmann-Jejes. Germany
-Trapped in Amber. Angst for a Reenacted Decade. Postcapital (Honor). UKS, Oslo, Curated by: Helga-Marie Nordby, Bassam el Baroni. Norway
-Venice Bienal. Catalan Pavilion, with: Archivo F. X./Pedro G. Romero, sitesize; Curated by:
Valentín Roma. Italy
-Angel of History, Postcapital (copyright), Laboral , Curated by: Christiane Paul, Steve Dietz. Gijón. Spain
-Postcapital Archive (1989 – 2001), Iberia Art Center, Curated by: Valentín Roma. Beijing, China

2008
-Postcapital Archive (1989 – 2001), Württembergischer Kunstverein, Stuttgart, Curated by: Hans  D. Christ and Iris Dressler
-Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property, Library. Postcapital Archive. Hartware MedienKunstVerein, PHOENIX Halle Dortmund, Curated by: Inke Arns  and Francis Hunger. Germany
– La mediation du conflit/Mediating Conflict, Postcapital (Honor) Maison de La Culture, Montreal, Curated by: Sylvie Lacerte. Canada
-Muestra de Vídeo de Autores Españoles, MUA, Alicante, Curated by Aramis López, Spain
-Kosmotica II, e-paisaje.org. Centro de Cultura Contemporánea de Barcelona, Curated by: Juan Insua, David Casacuberta. Spain
– Herramientas del arte. Relecturas (Tools of Art: Re-readings), Parpalló, Valencia. With Rogelio López Cuenca and Isidoro Valcárcel Medina,, Curated by: Álvaro de los Ángeles. Spain
-Banquete_nodos y redes. LABoral Centro de Arte y Creación Industrial, Gijón, Curated by: Karin Ohlenschläger. Spain
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. Museum of Contemporary Art Vojvodina, Novi Sad. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Serbia
-e-paisaje.org, Instituto Cervantes, New York City, Pekin
-InterACCIONES ELECTORALES, Off Limits, Madrid. Spain
-e-idensitat.org. Projecte idensitat, Local | Visitante 2: Manresa; Spain
– 2nd Biennial 01SJ Global Festival of Art on the Edge, Zero1. San Jose, California, Curated by Steve Dietz. USA
-Close Window. Refresh, Senko Studio in Viborg, Curated by: Annette Finnsdottir. Denmark
-‘Unrecorded’ exhibition questions space. Hacklandscape. akbank Gallery Istanbul. Curated Başak Şenova. Turkey

2007

– X-Devian. The New Technologies To The People™ System. Aarhus Kunstbygning – Center for Contemporary Art. Curated by: Jacob Lillemose, Denmark
-Extremos del sexto continente. I Bienal del Fin del Mundo. Ushuaia Curated by: Gustavo Romano. Argentina
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. CCA Glasgow. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen).GB
-Pilot 3. VENICE 8-17 JUNE 2007, Monastery of St Damien and St Cosimo, La Giudecca, Venice
-Secret, Barcelona Toolbar, Matucana 100, Ciudad de Santiago de Chile, Curated by: Valentín Roma, Chile
-SINTOPÍAS, e-paisaje.org, Instituto Cervantes de Pekín, China

2006
-AYERMAÑANA, Facultad de Bellas Artes de Cuenca, Spain -404 Object not found_Seoul, Total Museum of Art, Seoul Curated by Natalie Boseul Shin, South Korea
-THE WONDERFUL WORLD OF IRATIONAL, Tools, Techniques and Events 1996-2006. Hartware MedienKunstVerein, PHOENIX Halle Dortmund. Curators: Inke Arns and Jacob Lillemose. Germany -HackLandscape. PhotoEspaña2006, Matadero Madrid, Curated by: Horacio Fernández. Spain

-Postcapital,  With  Carlos Garaicoa e Ivan de la Nuez, Palau de la Virreina, Barcelona, Spain
-e-sevilla.org. Centro de las Artes Sevilla, Curated by Pedro G. Romero, Spain

2005

-Nulles05, Contemporary Rural representations. Nulles, Spain -Cabanyal Portes Obertes, Valencia, Spain -Juego Doble: Mediactivismo y activismo en la red. With Fran Illich. Centro Cultural de España. Mexico DF. Mexico -MEDIASCAPES. Curated by: Montse Badia and Andreas Kaufmann, FUNDACIO LA CAIXA, Girona, Spain

-On Difference #1, 21. May – 31. July 2005, Württembergischer Kunstverein Stuttgart. Curateb by: Iris Dressler and Hans D. Christ, Stuttgart, Germany

-Pintar sense pintar. Centre d’Art la Panera. Lleida, Curated by: Spain

-Archive cultures: Representations. Monasterio de Nuestra Señora del Prado. Curated by Jorge Blasco. Valladolid, Spain

-MEDIASCAPES. Curated by: Montse Badia and Andreas Kaufmann, Fundacio la caixa, Tarragona, Spain

2004

-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, Curated by: Johan Pijnappel, Liz Hughes, Hans D Christ. Tilman Baumgaertel. Seoul Museum of Art. Seoul. South Korea

_PROCESSOS_OBERTS_ Curated by: Manuel Olveira. Tarrassa, Barcelona Spain

-MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Spain

-Ambulantes.  PORTABLE CULTURE. Curated by: Rosa Pera Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain
-Tour-isms. The defeat of dissent, critical itineraries. Curated by Nuria Enguita, Jorge Luis Marzo, Montse Romani. Fundació Antoni Tàpies, Barcelona

WORKSHOP (like director -selection)
2007
-The Aesthetic Interface, Aarhus Kunstbygning
-el laboratorio de los medios, e-idensitat.  Indensitat, Manresa, Mataró el laboratorio de los medios. Eina, Barcelona

2006
-DIT “Do It Together”, Activismo hacker y software libre, Centro Cultural Montehermoso. Vitoria-Gasteiz
-Construyendo e-sevilla.org. Centro Arte Sevilla, Spain

2005

-efimer.org. Arquitectura, art i espai efímer. UPC. Barcelona.

-PRÁCTICA ARTÍSTICA Y TECNOLOGÍAS DE INFORMACIÓN Y COMUNICACIÓN. Un encuentro teórico-práctico propuesto por Technologies To The People. Fundación Telefónica Argentina- Centro Cultural de España en Buenos Aires (CCEBA). Espacio Fundación Telefónica. Buenos Aires ARGENTINA.
-Prácticas de empoderamiento tecnológico. [reutilización de tecnología obsoleta y códigos abiertos para artistas]. Séptimas Jornadas de arte y medios digitales. Organizan: CCEC /L. Pagola/L. Benech//UNC / UBP / Esc de Artes UNC /. Cordoba. Argentina.
-Individual Citizen Republic Project .Centro Cultural de España. Mexico DF. Mexico e-Lab. Workshop, „On Difference #1: Lokale Kontexte – Hybride Räume“,Württembergischer Kunstverein Stuttgart, Stuttgart, Germany

-Technologies To The people: reutilización de ordenadores, Basurama05, La Casa Encendida, Madrid, Spain -Jornadas de Arte y Tecnología. Facultad de Bellas Artes de Valencia.

-The System, Workshop. Valencia Spain Public Space.Elisava Escola Universitaria. Barcelona, Spain

2004

-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, e-seoul.org. Seoul.South Korea -MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Spain

-Los espacios INTER(medios).Inestabilidad, creación y cultura digital. Prácticas artísticas (desde la socialización de la tecnología). Facultad de Bellas Artes. Pontevedra, Spain

-RAM 6 workshop entitled “Social Interaction & Collective Intelligence” Vilnius, Lithuania

-“Heimatwechsel“ (Change of Home) International Student Workshop. Phoenix Halle Dortmund, Germany
-Open Space. Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain

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CV français

Daniel G. Andújar

né en 1966 à Almoradí (Espagne), vit et travaille à Barcelone.

Artiste ayant recours à l’ironie et à différentes stratégies de présentation, Daniel G. Andújar utilise les nouvelles technologies de la communication afin de s’interroger sur les promesses de démocratie et d’égalitarisme que font miroiter ces médias. Andújar critique également le désir de contrôle inhérent, à ces médias, qu’ils dissimulent derrière leur supposée transparence. Prenant appui sur le fait que les technologies de l’information et de la communication transforment notre quotidien, Andújar a créé une fiction (technologies to the people, 1996) conçue pour nous sensibiliser à la réalité environnante et nous faire prendre conscience de la supercherie découlant de la promesse d’un choix libre, irrémédiablement convertie en nouvelles formes de contrôle et d’inégalités. Membre de irational.org (point de référence international pour l’art sur le Web), il est le concepteur de nombreux projets pour l’internet, tels que art-net-dortmund, e-barcelona.org, e-valencia.org, e-seoul.org, e-wac.org, e-sevilla.org, Materiales de artista, etc. Il a également dirigé plusieurs ateliers offerts à des artistes et des collectifs dans différents pays.

Exhibitions (Choice)

2009
-Postcapital (Mauer). Museum for Modern Art Bremen, Curated by: Anne Thurmann-Jejes. Germany
-Trapped in Amber. Angst for a Reenacted Decade. Postcapital (Honor). UKS, Oslo, Curated by: Helga-Marie Nordby, Bassam el Baroni. Norway
-Venice Bienal. Catalan Pavilion, with: Archivo F. X./Pedro G. Romero, sitesize; Curated by:
Valentín Roma. Italy
-Angel of History, Postcapital (copyright), Laboral , Curated by: Christiane Paul, Steve Dietz. Gijón. Spain
-Postcapital Archive (1989 – 2001), Iberia Art Center, Curated by: Valentín Roma. Beijing , China

2008
-Postcapital Archive (1989 – 2001), Württembergischer Kunstverein, Stuttgart, Curated by: Hans  D. Christ and Iris Dressler
-Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property, Library. Postcapital Archive. Hartware MedienKunstVerein, PHOENIX Halle Dortmund, Curated by: Inke Arns  and Francis Hunger. Germany
– La mediation du conflit/Mediating Conflict, Postcapital (Honor) Maison de La Culture, Montreal, Curated by: Sylvie Lacerte. Canada
-Muestra de Vídeo de Autores Españoles, MUA, Alicante, Curated by Aramis López, Spain
-Kosmotica II, e-paisaje.org. Centro de Cultura Contemporánea de Barcelona, Curated by: Juan Insua, David Casacuberta. Spain
– Herramientas del arte. Relecturas (Tools of Art: Re-readings), Parpalló, Valencia. With Rogelio López Cuenca and Isidoro Valcárcel Medina,, Curated by: Álvaro de los Ángeles. Spain
-Banquete_nodos y redes. LABoral Centro de Arte y Creación Industrial, Gijón, Curated by: Karin Ohlenschläger. Spain
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. Museum of Contemporary Art Vojvodina, Novi Sad. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Serbia
-e-paisaje.org, Instituto Cervantes, New York City, Pekin
-InterACCIONES ELECTORALES, Off Limits, Madrid. Spain
-e-idensitat.org. Projecte idensitat, Local | Visitante 2: Manresa; Spain
– 2nd Biennial 01SJ Global Festival of Art on the Edge, Zero1. San Jose, California, Curated by Steve Dietz. USA
-Close Window. Refresh, Senko Studio in Viborg, Curated by: Annette Finnsdottir. Denmark
-‘Unrecorded’ exhibition questions space. Hacklandscape. akbank Gallery Istanbul. Curated Başak Şenova. Turkey

2007

– X-Devian. The New Technologies To The People™ System. Aarhus Kunstbygning – Center for Contemporary Art. Curated by: Jacob Lillemose, Denmark
-Extremos del sexto continente. I Bienal del Fin del Mundo. Ushuaia Curated by: Gustavo Romano. Argentina
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. CCA Glasgow. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen).GB
-Pilot 3. VENICE 8-17 JUNE 2007, Monastery of St Damien and St Cosimo, La Giudecca, Venice
-Secret, Barcelona Toolbar, Matucana 100, Ciudad de Santiago de Chile, Curated by: Valentín Roma, Chile
-SINTOPÍAS, e-paisaje.org, Instituto Cervantes de Pekín, China

2006
-AYERMAÑANA, Facultad de Bellas Artes de Cuenca, Spain -404 Object not found_Seoul, Total Museum of Art, Seoul Curated by Natalie Boseul Shin, South Korea
-THE WONDERFUL WORLD OF IRATIONAL, Tools, Techniques and Events 1996-2006. Hartware MedienKunstVerein, PHOENIX Halle Dortmund. Curators: Inke Arns and Jacob Lillemose. Germany -HackLandscape. PhotoEspaña2006, Matadero Madrid, Curated by: Horacio Fernández. Spain

-Postcapital,  With  Carlos Garaicoa e Ivan de la Nuez, Palau de la Virreina, Barcelona, Spain
-e-sevilla.org. Centro de las Artes Sevilla, Curated by Pedro G. Romero, Spain

2005

-Nulles05, Contemporary Rural representations. Nulles, Spain -Cabanyal Portes Obertes, Valencia, Spain -Juego Doble: Mediactivismo y activismo en la red. With Fran Illich. Centro Cultural de España. Mexico DF. Mexico -MEDIASCAPES. Curated by: Montse Badia and Andreas Kaufmann, FUNDACIO LA CAIXA, Girona, Spain

-On Difference #1, 21. May – 31. July 2005, Württembergischer Kunstverein Stuttgart. Curateb by: Iris Dressler and Hans D. Christ, Stuttgart, Germany

-Pintar sense pintar. Centre d’Art la Panera. Lleida, Curated by: Spain

-Archive cultures: Representations. Monasterio de Nuestra Señora del Prado. Curated by Jorge Blasco. Valladolid, Spain

-MEDIASCAPES. Curated by: Montse Badia and Andreas Kaufmann, Fundacio la caixa, Tarragona, Spain

2004

-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, Curated by: Johan Pijnappel, Liz Hughes, Hans D Christ. Tilman Baumgaertel. Seoul Museum of Art. Seoul. South Korea

_PROCESSOS_OBERTS_ Curated by: Manuel Olveira. Tarrassa, Barcelona Spain

-MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Spain

-Ambulantes.  PORTABLE CULTURE. Curated by: Rosa Pera Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain
-Tour-isms. The defeat of dissent, critical itineraries. Curated by Nuria Enguita, Jorge Luis Marzo, Montse Romani. Fundació Antoni Tàpies, Barcelona

WORKSHOP (like director -selection)
2007
-The Aesthetic Interface, Aarhus Kunstbygning
-el laboratorio de los medios, e-idensitat.  Indensitat, Manresa, Mataró el laboratorio de los medios. Eina, Barcelona

2006
-DIT “Do It Together”, Activismo hacker y software libre, Centro Cultural Montehermoso. Vitoria-Gasteiz
-Construyendo e-sevilla.org. Centro Arte Sevilla, Spain

2005

-efimer.org. Arquitectura, art i espai efímer. UPC. Barcelona.

-PRÁCTICA ARTÍSTICA Y TECNOLOGÍAS DE INFORMACIÓN Y COMUNICACIÓN. Un encuentro teórico-práctico propuesto por Technologies To The People. Fundación Telefónica Argentina- Centro Cultural de España en Buenos Aires (CCEBA). Espacio Fundación Telefónica. Buenos Aires ARGENTINA.
-Prácticas de empoderamiento tecnológico. [reutilización de tecnología obsoleta y códigos abiertos para artistas]. Séptimas Jornadas de arte y medios digitales. Organizan: CCEC /L. Pagola/L. Benech//UNC / UBP / Esc de Artes UNC /. Cordoba. Argentina.
-Individual Citizen Republic Project .Centro Cultural de España. Mexico DF. Mexico e-Lab. Workshop, „On Difference #1: Lokale Kontexte – Hybride Räume“,Württembergischer Kunstverein Stuttgart, Stuttgart, Germany

-Technologies To The people: reutilización de ordenadores, Basurama05, La Casa Encendida, Madrid, Spain -Jornadas de Arte y Tecnología. Facultad de Bellas Artes de Valencia.

-The System, Workshop. Valencia Spain Public Space.Elisava Escola Universitaria. Barcelona, Spain

2004

-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, e-seoul.org. Seoul.South Korea -MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Spain

-Los espacios INTER(medios).Inestabilidad, creación y cultura digital. Prácticas artísticas (desde la socialización de la tecnología). Facultad de Bellas Artes. Pontevedra, Spain

-RAM 6 workshop entitled “Social Interaction & Collective Intelligence” Vilnius, Lithuania

-“Heimatwechsel“ (Change of Home) International Student Workshop. Phoenix Halle Dortmund, Germany
-Open Space. Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain

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CV deutsch

Künstler, *1966 in Almoradí, lebt in Barcelona

Daniel García Andújar lotet in seinen Arbeiten – Installationen, Videos, Workshops oder Netzprojekte – die neuen Kommunikationstechnologien im Hinblick auf ihre demokratischen und emanzipatorischen Versprechungen aus. Auf kritische Weise setzt er sich dabei mit den Kontrollmechanismen, die sich hinter ihren transparenten Strukturen verbergen, auseinander. „Hack the System“ ist dabei eine Strategie, die er nicht nur im Hinblick auf digitale Kommunikationssysteme, sondern auch auf Institutionen, politische, kulturelle oder ökonomische Machtverhältnisse anwendet. Dabei geht es sowohl um die kritische Analyse oder ironische Freilegung dieser Verhältnisse als auch um die Erprobung kollaborativer und unabhängiger Formen der Kunst- und Wissensproduktion. Mit seinen diversen e-Projekten (e-valencia, e-barcelona, e-sevilla, etc.) hat er lokal verankerte kulturpolitische Internetforen zur Etablierung von Gegenöffentlichkeiten geschaffen. Plattform seiner Arbeit ist das von ihm 1996 gegründete fiktive Unternehmen „Technologies To The People“.

Ausstellungen (Auswahl)

2010
BARCELONA – VALÈNCIA – PALMA. A History of Confluence and Divergence. Objects of desire. Centre de Cultura Contemporània de Barcelona. Curated by Ignasi Aballí, Melcior Comes and Vicent Sanchis
Postcapital Archive (1989 – 2001) . Total Museum of Contemporary Art, Seoul. Curated by Nathalie Boseul Shin and Hans D. Christ -South Korea
-Postkapital Arşiv 1989-2001 (1989-2001). OPAL Contemporary Art Space. Curated by Basak Senova. Istanbul – Turkey
-Presupuesto: 6 euros. Prácticas artísticas y precariedad-Curated by Cabello/Carceller, Off Limits Madrid.
-Postcapital Archive (1989-2001) La comunidad inconfesable, Bòlit, Centre d’Art Contemporani, Girona. Curated by Valentín Roma
-The Wall. Postcapital Archive (1989-2001), Espai Visor, Valencia
Videoarte hecho en España.Centro de Arte Complutense Curated by Aramis López. Madrid

2009
-Postcapital (Mauer). Museum for Modern Art Bremen, Curated by: Anne Thurmann-Jejes. Germany
-Trapped in Amber. Angst for a Reenacted Decade. Postcapital (Honor). UKS, Oslo, Curated by: Helga-Marie Nordby, Bassam el Baroni. Norway
-Venice Bienal. Catalan Pavilion, with: Archivo F. X./Pedro G. Romero, sitesize; Curated by:Valentín Roma. Italy
-Angel of History, Postcapital (copyright), Laboral , Curated by: Christiane Paul, Steve Dietz. Gijón. Spain
-Postcapital Archive (1989 – 2001), Iberia Arte Center, Curated by: Valentín Roma. Beijing

2008
-Postcapital Archive (1989 – 2001), Württembergischer Kunstverein, Stuttgart, Curated by: Hans  D. Christ and Iris Dressler
-Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property, Library. Postcapital Archive. Hartware MedienKunstVerein, PHOENIX Halle Dortmund, Curated by: Inke Arns  and Francis Hunger. Germany
– La mediation du conflit/Mediating Conflict, Postcapital (Honor) Maison de La Culture, Montreal, Curated by: Sylvie Lacerte. Canada
-Muestra de Vídeo de Autores Españoles, MUA, Alicante, Curated by Aramis López, Spain
-Kosmotica II, e-paisaje.org. Centro de Cultura Contemporánea de Barcelona, Curated by: Juan Insua, David Casacuberta. Spain
– Herramientas del arte. Relecturas (Tools of Art: Re-readings), Parpalló, Valencia. With Rogelio López Cuenca and Isidoro Valcárcel Medina,, Curated by: Álvaro de los Ángeles. Spain
-Banquete_nodos y redes. LABoral Centro de Arte y Creación Industrial, Gijón, Curated by: Karin Ohlenschläger. Spain
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. Museum of Contemporary Art Vojvodina, Novi Sad. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Serbia
-e-paisaje.org, Instituto Cervantes, New York City, Pekin
-InterACCIONES ELECTORALES, Off Limits, Madrid. Spain
-e-idensitat.org. Projecte idensitat, Local | Visitante 2: Manresa; Spain
– 2nd Biennial 01SJ Global Festival of Art on the Edge, Zero1. San Jose, California, Curated by Steve Dietz. USA
-Close Window. Refresh, Senko Studio in Viborg, Curated by: Annette Finnsdottir. Denmark
-‘Unrecorded’ exhibition questions space. Hacklandscape. akbank Gallery Istanbul. Curated Başak Şenova. Turkey

2007

– X-Devian. The New Technologies To The People™ System. Aarhus Kunstbygning – Center for Contemporary Art. Curated by: Jacob Lillemose, Denmark
-Extremos del sexto continente. I Bienal del Fin del Mundo. Ushuaia Curated by: Gustavo Romano. Argentina
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. CCA Glasgow. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen).GB
-Pilot 3. VENICE 8-17 JUNE 2007, Monastery of St Damien and St Cosimo, La Giudecca, Venice
-Secret, Barcelona Toolbar, Matucana 100, Ciudad de Santiago de Chile, Curated by: Valentín Roma, Chile
-SINTOPÍAS, e-paisaje.org, Instituto Cervantes de Pekín, China

2006
-AYERMAÑANA, Facultad de Bellas Artes de Cuenca, Spain -404 Object not found_Seoul, Total Museum of Art, Seoul Curated by Natalie Boseul Shin, South Korea
-THE WONDERFUL WORLD OF IRATIONAL, Tools, Techniques and Events 1996-2006. Hartware MedienKunstVerein, PHOENIX Halle Dortmund. Curators: Inke Arns and Jacob Lillemose. Germany -HackLandscape. PhotoEspaña2006, Matadero Madrid, Curated by: Horacio Fernández. Spain

-Postcapital,  With  Carlos Garaicoa e Ivan de la Nuez, Palau de la Virreina, Barcelona, Spain
-e-sevilla.org. Centro de las Artes Sevilla, Curated by Pedro G. Romero, Spain

2005

-Nulles05, Contemporary Rural representations. Nulles, Spain -Cabanyal Portes Obertes, Valencia, Spain -Juego Doble: Mediactivismo y activismo en la red. With Fran Illich. Centro Cultural de España. Mexico DF. Mexico -MEDIASCAPES. Curated by: Montse Badia and Andreas Kaufmann, FUNDACIO LA CAIXA, Girona, Spain

-On Difference #1, 21. May – 31. July 2005, Württembergischer Kunstverein Stuttgart. Curateb by: Iris Dressler and Hans D. Christ, Stuttgart, Germany

-Pintar sense pintar. Centre d’Art la Panera. Lleida, Curated by: Spain

-Archive cultures: Representations. Monasterio de Nuestra Señora del Prado. Curated by Jorge Blasco. Valladolid, Spain

-MEDIASCAPES. Curated by: Montse Badia and Andreas Kaufmann, Fundacio la caixa, Tarragona, Spain

2004

-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, Curated by: Johan Pijnappel, Liz Hughes, Hans D Christ. Tilman Baumgaertel. Seoul Museum of Art. Seoul. South Korea

_PROCESSOS_OBERTS_ Curated by: Manuel Olveira. Tarrassa, Barcelona Spain

-MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Spain

-Ambulantes.  PORTABLE CULTURE. Curated by: Rosa Pera Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain
-Tour-isms. The defeat of dissent, critical itineraries. Curated by Nuria Enguita, Jorge Luis Marzo, Montse Romani. Fundació Antoni Tàpies, Barcelona

WORKSHOP (wie Regisseur-Auswahl)
2007
-The Aesthetic Interface, Aarhus Kunstbygning
-el laboratorio de los medios, e-idensitat.  Indensitat, Manresa, Mataró el laboratorio de los medios. Eina, Barcelona

2006
-DIT “Do It Together”, Activismo hacker y software libre, Centro Cultural Montehermoso. Vitoria-Gasteiz
-Construyendo e-sevilla.org. Centro Arte Sevilla, Spain

2005

-efimer.org. Arquitectura, art i espai efímer. UPC. Barcelona.

-PRÁCTICA ARTÍSTICA Y TECNOLOGÍAS DE INFORMACIÓN Y COMUNICACIÓN. Un encuentro teórico-práctico propuesto por Technologies To The People. Fundación Telefónica Argentina- Centro Cultural de España en Buenos Aires (CCEBA). Espacio Fundación Telefónica. Buenos Aires ARGENTINA.
-Prácticas de empoderamiento tecnológico. [reutilización de tecnología obsoleta y códigos abiertos para artistas]. Séptimas Jornadas de arte y medios digitales. Organizan: CCEC /L. Pagola/L. Benech//UNC / UBP / Esc de Artes UNC /. Cordoba. Argentina.
-Individual Citizen Republic Project .Centro Cultural de España. Mexico DF. Mexico e-Lab. Workshop, „On Difference #1: Lokale Kontexte – Hybride Räume“,Württembergischer Kunstverein Stuttgart, Stuttgart, Germany

-Technologies To The people: reutilización de ordenadores, Basurama05, La Casa Encendida, Madrid, Spain -Jornadas de Arte y Tecnología. Facultad de Bellas Artes de Valencia.

-The System, Workshop. Valencia Spain Public Space.Elisava Escola Universitaria. Barcelona, Spain

2004

-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, e-seoul.org. Seoul.South Korea -MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Spain

-Los espacios INTER(medios).Inestabilidad, creación y cultura digital. Prácticas artísticas (desde la socialización de la tecnología). Facultad de Bellas Artes. Pontevedra, Spain

-RAM 6 workshop entitled “Social Interaction & Collective Intelligence” Vilnius, Lithuania

-“Heimatwechsel“ (Change of Home) International Student Workshop. Phoenix Halle Dortmund, Germany
-Open Space. Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain

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CV català

Daniel G. Andújar

(Almoradí, 1966), Viu a Barcelona.
www.danielandujar.org

Technologies To The People (TTTP) neix el 1996 dins del projecte expositiu Discord. Sabotage of Realities, que va tenir lloc lloc a la Kunstverein i a la Kunsthaus d’Hamburg. En un principi, es presentava com una empresa virtual dedicada a apropar els avenços de la tecnologia als més desfavorits, una mena de corporació imprecisa que reproduïa el llenguatge dissuasori, els tics d’identitat i els arquetipus visuals associats a les companyies comercials de l’àmbit digital. Cal que ens referim, com a definició del context en què sorgeix TTTP, a certa explosió que en aquells moments i de forma incipient s’estava produint dins de l’univers de les tecnologies de la informació, on sorgien miratges financers –empreses amb cotitzacions borsàries, iniciatives rocambolesques o plataformes sense cap tipus de definició– que, després d’adquirir un incomprensible protagonisme mediàtic, desapareixien com si mai no haguessin existit. Al mateix temps, i també en aquest període inicial de la xarxa, van començar a generar-se imaginaris que idealitzaven de forma acrítica una suposada independència i democratització del coneixement que Internet havia de comportar, però que, finalment, mai no va acabar d’arribar. Així doncs, TTTP apareix com a revers desconcertant de les maldats hipotètiques de les corporacions tecnològiques i, també, com a contrapunt irònic de les  peroracions dels apòstols de la llibertat digital.

No obstant això, i vist en retrospectiva, es podria dir que TTTP ha desenvolupat, al llarg de la seva trajectòria, quatre línies d’actuació més o menys diferents: l’una, conformada al voltant del llançament de diversos productes amb què la corporació s’introdueix al mercat, ironitza sobre la capacitat productiva de l’empresa mateixa i dissenya estratègies per vincular-se i empatitzar amb els hipotètics usuaris. D’entre els projectes més destacats d’aquest camp, hi hauria la Street Access Machine (1996), una màquina que permetia accedir a diners digitals als pidolaires del carrer; TheBody Research Machine (1998), un corredor interactiu que escanejava les cadenes d’ADN del cos, processant-les per a experiments científics; i l’x-devian by knoppix, un sistema operatiu de codi obert presentat com a part del projecte individual Citizen Republic Project: El Sistema (2003). Una altra via de treball seria la reflexió crítica que TTTP planteja sobre el món de l’art a través de les Technologies to the People Foundation, amb les seves col·leccions d’obres distribuïdes gratuïtament –Photo Collection (1997), Video Collection (1998) i Net Art Classics Collection (1999), que en aquella època ja qüestionaven la idea de propietat material i intel·lectual. Una tercera àrea conceptual la constituiria la creació de les anomenades pàgines blanques e- (e-arco.org, e-manifesta.org, e-seoul.org, e-valencia.org, e-barcelona.org, e-sevilla.org, e-norte.org i e-madrid.org, entre d’altres), que han esdevingut veritables plataformes de reflexió ciutadana vinculades a un àmbit cultural específic i a unes problemàtiques molt concretes. Finalment, convé destacar, entre les activitats de TTTP, la construcció del vast Archivo Postcapital.

Exposicions (Elecció)

2010
-Postcapital Archive (1989-2001) La comunidad inconfesable, Bòlit, Centre d’Art Contemporani, Girona. Comisariat per Valentín Roma
-The Wall. Postcapital Archive (1989-2001), Espai Visor, Valencia

2009
-Postcapital (Mauer). Museum for Modern Art Bremen, Comisariat per: Anne Thurmann-Jejes. Alemanya
-Trapped in Amber. Angst for a Reenacted Decade. Postcapital (Honor). UKS, Oslo, Comisariat per: Helga-Marie Nordby, Bassam el Baroni. Noruega
-Pavelló de Catalunya a la 53a Biennal d’Arts Visuals de Venècia 2009: Daniel G Andújar, Archivo F. X./Pedro G. Romero, sitesize; Comisariat per: Valentín Roma. Italia
-Angel of History, Postcapital (copyright), Laboral , Comisariat per: Christiane Paul, Steve Dietz. Gijón. Espanya
-Postcapital Archive (1989 – 2001), Iberia Aret Center, Comisariat per: Valentín Roma. Fuenlabrada, Beijing

2008
-Postcapital Archive (1989 – 2001), Württembergischer Kunstverein, Stuttgart, Comisariat per: Hans  D. Christ and Iris Dressler, Alemanya
-Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property, Library. Postcapital Archive. Hartware MedienKunstVerein, PHOENIX Halle Dortmund, Comisariat per: Inke Arns  and Francis Hunger. Alemanya
– La mediation du conflit/Mediating Conflict, Postcapital (Honor) Maison de La Culture, Montreal, Comisariat per: Sylvie Lacerte. Canada
-Muestra de Vídeo de Autores Españoles, MUA, Alicante, Curated by Aramis López, Espanya
-Kosmotica II, e-paisaje.org. Centro de Cultura Contemporánea de Barcelona, Comisariat per: Juan Insua, David Casacuberta. Espanya
– Herramientas del arte. Relecturas (Tools of Art: Re-readings), Parpalló, Valencia. With Rogelio López Cuenca and Isidoro Valcárcel Medina,, Comisariat per: Álvaro de los Ángeles. Espanya
-Banquete_nodos y redes. LABoral Centro de Arte y Creación Industrial, Gijón, Comisariat per: Karin Ohlenschläger. Espanya
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. Museum of Contemporary Art Vojvodina, Novi Sad. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Serbia
-e-paisaje.org, Instituto Cervantes, New York City, Pekin
-InterACCIONES ELECTORALES, Off Limits, Madrid. Espanya
-e-idensitat.org. Projecte idensitat, Local | Visitante 2: Manresa; Espanya
– 2nd Biennial 01SJ Global Festival of Art on the Edge, Zero1. San Jose, California, Curated by Steve Dietz. USA
-Close Window. Refresh, Senko Studio in Viborg, Comisariat per: Annette Finnsdottir. Dinamarca
-‘Unrecorded’ exhibition questions space. Hacklandscape. akbank Gallery Istanbul. Curated Başak Şenova. Turkía

2007
– X-Devian. The New Technologies To The People™ System. Aarhus Kunstbygning – Center for Contemporary Art. Comisariat per: Jacob Lillemose, Dinamarca
-Extremos del sexto continente. I Bienal del Fin del Mundo. Ushuaia Comisariat per: Gustavo Romano. Argentina
-The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. CCA Glasgow. Curators: Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen).GB
-Pilot 3. VENICE 8-17 JUNE 2007, Monastery of St Damien and St Cosimo, La Giudecca, Venecia, Italia
-Secret, Barcelona Toolbar, Matucana 100, Ciudad de Santiago de Chile, Comisariat per: Valentín Roma, Chile
-SINTOPÍAS, e-paisaje.org, Instituto Cervantes de Pekín, China

2006
-AYERMAÑANA, Facultad de Bellas Artes de Cuenca, Espanya  -404 Object not found_Seoul, Total Museum of Art, Seoul Curated by Natalie Boseul Shin, Corea del Sur
-THE WONDERFUL WORLD OF IRATIONAL, Tools, Techniques and Events 1996-2006. Hartware MedienKunstVerein, PHOENIX Halle Dortmund. Curators: Inke Arns and Jacob Lillemose. Alemanya
-HackLandscape. PhotoEspanya 2006, Matadero Madrid, Comisariat per: Horacio Fernández. Espanya
-Postcapital,  With  Carlos Garaicoa e Ivan de la Nuez, Palau de la Virreina, Barcelona, Espanya
-e-sevilla.org. Centro de las Artes Sevilla, Curated by Pedro G. Romero, Espanya

2005
-Nulles05, Contemporary Rural representations. Nulles, Espanya  -Cabanyal Portes Obertes, Valencia, Espanya  -Juego Doble: Mediactivismo y activismo en la red. With Fran Illich. Centro Cultural de Espanya . Mexico DF. Mexico -MEDIASCAPES. Comisariat per: Montse Badia and Andreas Kaufmann, FUNDACIO LA CAIXA, Girona, Espanya
-On Difference #1, 21. May – 31. July 2005, Württembergischer Kunstverein Stuttgart. Curateb by: Iris Dressler and Hans D. Christ, Stuttgart, Alemanya
-Pintar sense pintar. Centre d’Art la Panera. Lleida, Comisariat per: Espanya
-Archive cultures: Representations. Monasterio de Nuestra Señora del Prado. Curated by Jorge Blasco. Valladolid, Espanya
-MEDIASCAPES. Comisariat per: Montse Badia and Andreas Kaufmann, Fundacio la caixa, Tarragona, Espanya

2004
-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, Comisariat per: Johan Pijnappel, Liz Hughes, Hans D Christ. Tilman Baumgaertel. Seoul Museum of Art. Seoul. South Korea
_PROCESSOS_OBERTS_ Comisariat per: Manuel Olveira. Tarrassa, Barcelona Espanya  -MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Espanya
-Ambulantes.  PORTABLE CULTURE. Comisariat per: Rosa Pera Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Espanya
-Tour-ismos. The defeat of dissent, critical itineraries. Comisariat per: Nuria Enguita, Jorge Luis Marzo, Montse Romani. Fundació Antoni Tàpies, Barcelona

WORKSHOP (com director -selecció)

2007
-The Aesthetic Interface, Aarhus Kunstbygning
-el laboratorio de los medios, e-idensitat.  Indensitat, Manresa, Mataró el laboratorio de los medios. Eina, Barcelona

2006
-DIT “Do It Together”, Activismo hacker y software libre, Centro Cultural Montehermoso. Vitoria-Gasteiz
-Construyendo e-sevilla.org. Centro Arte Sevilla, Espanya

2005
-efimer.org. Arquitectura, art i espai efímer. UPC. Barcelona.
-PRÁCTICA ARTÍSTICA Y TECNOLOGÍAS DE INFORMACIÓN Y COMUNICACIÓN. Un encuentro teórico-práctico propuesto por Technologies To The People. Fundación Telefónica Argentina- Centro Cultural de Espanya  en Buenos Aires (CCEBA). Espacio Fundación Telefónica. Buenos Aires ARGENTINA.
-Prácticas de empoderamiento tecnológico. [reutilización de tecnología obsoleta y códigos abiertos para artistas]. Séptimas Jornadas de arte y medios digitales. Organizan: CCEC /L. Pagola/L. Benech//UNC / UBP / Esc de Artes UNC /. Cordoba. Argentina.
-Individual Citizen Republic Project .Centro Cultural de Espanya . Mexico DF. Mexico e-Lab. Workshop, „On Difference #1: Lokale Kontexte – Hybride Räume“,Württembergischer Kunstverein Stuttgart, Stuttgart, Alemanya
-Technologies To The people: reutilización de ordenadores, Basurama05, La Casa Encendida, Madrid, Espanya  -Jornadas de Arte y Tecnología. Facultad de Bellas Artes de Valencia.
-The System, Workshop. Valencia Espanya  Public Space.Elisava Escola Universitaria. Barcelona, Espanya

2004
-media_city seoul 2004. The 3rd Seoul International Media Art Biennale, e-seoul.org. Seoul.South Korea -MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, FUNDACIO LA CAIXA, Lleida, Espanya
-Los espacios INTER(medios).Inestabilidad, creación y cultura digital. Prácticas artísticas (desde la socialización de la tecnología). Facultad de Bellas Artes. Pontevedra, Espanya
-RAM 6 workshop entitled “Social Interaction & Collective Intelligence” Vilnius, Lithuania
-“Heimatwechsel“ (Change of Home) International Student Workshop. Phoenix Halle Dortmund, Alemanya
-Open Space. Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Espanya

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CV english

Daniel G. Andújar, Live and work in  Barcelona
(Almoradí, España, 1966)

Technologies To The People (TTTP) began in 1996, as part of the Discord. Sabotage of Realities exhibition project that took place at the Kunstverein and Kunsthaus in Hamburg. It was originally presented as a virtual company dedicated to bringing technological advances closer to the least privileged, a sort of vague corporation that reproduced dissuasive language, the identity tics and visual archetypes associated with the commercial companies in the digital environment. As a definition of the context in which TTTP originated, it is important to refer to a certain incipient explosion that was gathering momentum in the world of information technology at that moment; monetary mirages materialised there—public companies with inflated stock prices, exaggerated initiatives and platforms with no definition—which, after acquiring an incomprehensible media prominence, disappeared as if they had never existed. At the same time, and also in this initial period of the Net, notions uncritically idealising a supposed independence and democratisation of knowledge that the Internet should bring with it began to crop up, though in the end they never materialised. TTTP thus appears as a parody in the aforementioned double sense, i.e., as a disconcerting antithesis to the hypothetical wrongdoings of technological corporations, and also as an ironic counterpoint to the exhortations of the disciples of digital liberty.

Nonetheless and in hindsight, it could be said that TTTP has developed four more or less distinct courses of action throughout its life span: one, shaped around the launch of various products with which the corporation meddles in the market, ridicules the productive capacity of the company itself and styles strategies for connecting and empathising with the hypothetical users. Among the most prominent projects in this sphere would be the Street Access Machine (1996), a machine allowing those begging in the street to access digital money; The Body Research Machine (1998), an interactive machine that scanned the body’s DNA strands, processing them for scientific experiments, and x-devian by knoppix, an open-source operating system presented as part of the Individual Citizen Republic Project: The System (2003) project. Another course the work takes would be the critical reflection on the art world TTTP presents through the Technologies to the People Foundation with its collections distributed free of charge—Photo Collection (1997), Video Collection (1998) and Net Art Classics Collection (1999)—already calling the idea of material and intellectual property into question during this period. A third conceptual area would be constituted by the creation of the so-called e- pages (e-arco.org, e-manifesta.org, e-seoul.org, e-valencia.org, e-barcelona.org, e-sevilla.org, e-norte.org and e-madrid.org among others), which have become true platforms for citizen reflection linked to a specific cultural environment and a very concrete set of problems. Also to be highlighted from among TTTP’s activities is the construction of the vast Postcapital Archive.

Exhibitions

Solo Shows (selection)
2015
Sistema Operativo, Museo Nacional Centro de Arte Reina Sofía. Curated by Manuel J. Borja-Villel, Madrid, Spain
Territorios_Murcia. Centro Puertas de Castilla. Curated by Pedro Ortuño, Murcia, Spain
El capital. La mercancia. El dinero, Galería Casa sin fin,Caceres,Spain

2013
Technologies To The People Photo Collection, Galería Casa sin fin, Madrid

2011
The Art of Seduction. DANIEL G. ANDÚJAR / ROGELIO LÓPEZ CUENCA. PALMADOTZE, Galeria d’Art, Vilafranca del Penedés, Spain
Capital León. Musac, Curated by María Inés Rodríguez, León, Spain

2010
Postcapital Archive Madrid. La Noche en Blanco, Curated by Basurama, Madrid, Spain
Postcapital TimeLine. Goyang Studio, National Museum of Contemporary Art, Curated by Nathalie Boseul Shin. Seoul, South Korea.
Postcapital Archive (1989 – 2001). Total Museum of Contemporary Art, Seoul. Curated by Nathalie Boseul Shin and Hans D. Christ. Seoul, South Korea
Postkapital Arşiv (1989 – 2001). OPAL Contemporary Art Space. Curated by Basak Senova. Istanbul, Turkey
Postcapital Archive (1989 – 2001) La comunidad inconfesable, Bòlit, Centre d’Art Contemporani, Girona. Curated by Valentín Roma. Girona, Spain
The Wall. Postcapital Archive (1989-2001), Espai Visor, Valencia, Spain

2009
Postcapital (Mauer). Museum for Modern Art Bremen, Curated by: Anne Thurmann-Jejes. Germany
Postcapital Archive (1989 – 2001), Art Center, Curated by: Valentín Roma, Beijing. China

2008
Postcapital Archive (1989 – 2001), Württembergischer Kunstverein, Stuttgart, Curated by Hans  D. Christ and Iris Dressler, Stuttgart, Germany
Herramientas del arte. Relecturas (Tools of Art: Re-readings), Parpalló, Valencia. With Rogelio López Cuenca and Isidoro Valcárcel Medina, Curated by Álvaro de los Ángeles. Valencia, Spain

2007
X-Devian. The New Technologies To The People™ System. Aarhus Kunstbygning – Center for Contemporary Art. Curated by Jacob Lillemose, Denmark
Secret, Barcelona Toolbar, Matucana 100, Ciudad de Santiago de Chile, Curated by Valentín Roma, Santiago de Chile, Chile

2006
Postcapital,  With  Carlos Garaicoa e Ivan de la Nuez, Palau de la Virreina, Barcelona, Spain
HackLandscape. PhotoEspaña2006, Matadero Madrid, Curated by Horacio Fernández, Madrid, Spain
e-sevilla.org. Centro de las Artes Sevilla, Curated by Pedro G. Romero, Sevilla, Spain

2003
Individual Citizen Republic Project™: El Sistema. Museu Comarcal Garrotxa. Curated by Valentín Roma, Olot, Spain

2001
The Power of Security,  Galería Visor. Valencia, Spain

2000
La Sociedad Informacional, MUA (Museo Universidad Alicante), Curated by José Luis Martinez and Aramis López,  Alicante, Spain

1998
Interface@metrònom.es, Fundació Rafael Tous d’Art Contemporari Sala Metrònom, Barcelona, Spain

1997
Wir Beobachten!, Künstlerhaus, Curated by Iris Dressler, Dortmund, Germany

 

Group Shows (selection)
2015
Invisible Violence, Salzburguer Kunstverein. Curated by Zoran Eríc, Blanca de la Torre and Séamus Kealy, Salzburg, Austria
Prophetia, Fundació Joan Miró. Curated by Imma Prieto, Barcelona, Spain

2014
AKME 2014. Exposición Presupuesto 5€, consonni, Bilbao
Public Library. Rethinking the Infrastructures of Knowledge Production. Württembergischer Kunstverein Stuttgart
El mapa imaginario, La Conservera, Ceutí, Murcia
Archivo Lafuente. La Idea de Arte, Museo de Arte Moderno y Contemporáneo de Santander y Cantabria
Invisible Violence, ARTIUM Centro-Museo Vasco de Arte Contemporáneo. Curated by Séamus Kealy, Zoran Eríc and Blanca de la Torre, Vitoria, Spain
Hic et Nunc: About Democratic Paradoxes CCEJS AECID – PARAGUAY. Curated by Imma Prieto, Asunción, Uruguay
“Tiempo de progreso”. Museo Barjola. Curated by Avelino Sala and José Luis Corazón, Gijón, Asturias, Spain
La herencia inmaterial. Ensayando desde la Colección. Curated by Valentin Roma. Museu d’Art Contemporani de Barcelona (MACBA), Barcelona, Spain
Hic et Nunc: About Democratic Paradoxes Bolit. Curated by Imma Prieto, Girona, Spain
Invisible Violence, Museum of Contemporary Art Belgrade. Curated by Zoran Eríc and Blanca de la Torre, Belgrade, Serbia
Oh, My Complex: On Unease at Beholding the City Transformation of the Public Space. Mine, Yours, Ours festival, Museum of Modern and Contemporary Art, Curated by Iris Dressler, Hans D. Christ, Rijeka, Croatia.
Helsinki Photography Biennial. Curated by Basak Senova, Helsinki, Finland
NETescopio + NETescopio Sessions tonight. Edith-Russ-Haus for Media Art. Curated by Gustavo Romano. Oldenburg, Germany
Hic et Nunc: About Democratic Paradoxes TEMP Art Space New York City. Curated by Imma Prieto, USA

2013
riure #1 superioridad vs inferioritdad. Centre d’Art Lo Pati, curated by Blai Mesa, Tarragona, Spain
Feria Internacional Ciudad Creativa. CentroCentro, Palacio de Cibeles de Madrid, Spain
To The Reader – Basis voor Actuele Kunst – BAK. Curated by Benjamin Fallon, Utrecht, Holland
HIC ET NUNC. Sobre paradojas democráticas. Museo Pumapungo. Curated by Imma Prieto, Cuenca, Ecuador
The Art of Not Being Governed Like That. An exhibition by Württembergischer Kunstverein Stuttgart. Idea and conception: Hans D. Christ, Yvonne P. Doderer, Iris Dressler, Stephan Köperl, Sylvia Winkler. In conjunction with Risk Society. Individualization in Young Contemporary Art from Germany at Museum of Contemporary Art Taipei (MOCA), Curator: Melanie Bono, Taipei, Taiwan
Giving Form to the Impatience of Liberty. Württembergischer Kunstverein Stuttgart. Curated by Iris Dressler, Hans D. Christ, Germany
El Teatro del Arte. Colección La Caixa de Arte Contemporáneo. Centro de Arte Caja de Burgos. Curated by Valentin Roma, Burgos, Spain
HIC ET NUNC. Sobre paradojas democráticas. Galería Proceso, curated by Imma Prieto, Cuenca, Ecuador
ACTS OF VOICING, On the Poetics and Politics of the Voice, Total Museum of Contemporary Art, Curators: Hans D. Christ, Iris Dressler, Christine Peters, Cosmin Costinas, Natalie Boseul Shin, Seoul, South Korea,
Without Reality There Is No Utopia, Yerba Buena Center for the Arts, curated by Alicia Murría, Mariano Navarro and Juan Antonio Álvarez Reyes, San Francisco, EEUU
2nd edition of Project Biennial D-0 ARK Underground, Tito’s Nuclear Bunker, Curators Basak Senova and Branko Franceschi. Konjic/Sarajevo, Bosnia and Herzegovina
¡Reset!, Galería Palmadotze. Masia Mas Pujó, Barcelona. Curated by Valentin Roma, Spain
La belleza robada, Espacio Cultural El Tanque, Santa Cruz de Tenerife, Spain
Tools Of Distorted Creativity Transmediale 2013 BWPWAP Berlin. Curated by Jacob Lilemouse, Berlin, Germany

2012
Montaje de Atracciones – Tirar del Hilo – Colección Artium / Sala Norte . ARTIUM – Basque Museum Center of Contemporary Art. Curated by Blanca de la Torre and Daniel Castillejo. Vitoria-Gasteiz, Spain
Acts Of Voicing, On the Poetics and Politics of the Voice, Württembergischer Kunstverein Stuttgart Curators: Hans D. Christ, Iris Dressler, Christine Peters (Württembergischer Kunstverein Stuttgart); Cosmin Costinas (Para/Site Art Space, Hong Kong); Natalie Boseul Shin (Total Museum of Contemporary Art, Seoul)
El Hilo De Ariadna: Lectores / Navegantes, Casa del Lector, Madrid. Curated by Francisco Jarauta, Spain
Cartographies Of Hope: Change Narratives, DOX Center for Contemporary Art, Prag. Curated by Jaroslav Anděl, Prag, Czech Republic
Online/Offline. Encoding everyday life. Galería Valle Ortí, curated by Lorenzo Sandoval, Valencia, Spain
Tiempos de urgencias, Sala Norte, ARTIUM Centro-Museo Vasco de Arte Contemporáneo. Curated by Blanca de la Torre and Daniel Castillejo. Vitoria-Gasteiz, Spain
Oh, My Complex, On Unease at Beholding the City, project by Hans D. Christ Württembergischer Kunstverein, Stuttgart, Germany
You and Eye. Cartografías existenciales e itinerantes urbanos. Proyect by Wendy Navarro and Ada Azor, Circuiti Líquido, 11 Bienal de La Habana, La Habana, Cuba
The Rescue Of The Effects – Notes for a Theory of the Reader. General Public, Berlin, project by Lorenzo Sandoval, Berlin, Germany
Cacotopía. FOKUS’12 | Nikolaj Kunsthal. Copenhagen, Denmark
Dark Drives. Uneasy Energies in technological Times, transmediale 2012. Curated by Jacob Lillemose, Berlin, Germany
Artefact 2012 THE SOCIAL CONTRACT, STUK arts centre Leuven, The Wonderful World of irational.org is curated by Inke Arns (Hartware MedienKunstVerein), Jacob Lillemose and Heath Bunting, Leuven, Belgium

2011
Crossing East West Narratives by the End of Video Art (2000-2011), Tabacalera, Madrid. Curated by Menene Gras Balaguer, Madrid, Spain
Relatos encadenados. Centre d’Art la Panera. Curated by Gloria Moure, Lleida, Spain
Psychoeconomy. The upcomming summit: Sevilla 2011, CAAC (Center of Contemporary Art of Andalucia). Curated by Gustavo Romano, Sevilla, Spain
Relatos encadenados. Centre d’Art la Panera. Lleida, Spain
HUMAN RIGHTS / COPY RIGHTS, CHILE AÑOS 70 Y 80. MEMORIA Y EXPERIMENTALIDAD. Museo de Arte Contemporáneo de la Universidad de Chile.Curador Cristián Gómez-Moya, Santiago de Chile, Chile
Cacotopía. Daniel G.Andujar + Avelino Sala. First Screen / Premières de artistas en La Pedrera. LOOP/ Screen from Barcelona y la Fundación Catalunya Caixa Barcelona, Spain
-Y mañana qué… Trayecto Galería. Curated by Fernando Iliana. Vitoria-Gasteiz, Spain
Sin realidad no hay utopía. CAAC. Centro Andaluz de Arte Contemporáneo. Curated by Mariano Navarro, Alicia Murría and Juan Antonio Álvarez Reyes. Sevilla, Spain
Video(S)torias. ARTIUM. Centro-Museo Vasco de Arte Contemporáneo. Vitoria-Gasteiz, Spain

2010

The Archivists Impatience. The Loft. Mumbai a group show of artists Daniel G. Andújar , Pablo Bartholomew, Leila Pazooki & Jean-Gabriel Périot, Curated by Shaheen Merali.
Wealth of Nations,Gallery One & Perimeter Gallery.  Spike Island. Curators:Institute for Flexible Cultures and Technologies – NAPON (Kristian Lukic, Gordana Nikolic), Bristol, UK
BARCELONA – VALÈNCIA – PALMA. A History of Confluence and Divergence. Objects of desire. Centre de Cultura Contemporània de Barcelona. Curated by Ignasi Aballí, Melcior Comes and Vicent Sanchis
Presupuesto: 6 euros. Prácticas artísticas y precariedad-Curated by Cabello/Carceller, Off Limits Madrid.
Videoarte hecho en España.Centro de Arte Complutense Curated by Aramis López. Madrid

2009
Trapped in Amber. Angst for a Reenacted Decade. Postcapital (Honor). UKS, Oslo, Curated by Helga-Marie Nordby, Bassam el Baroni. Oslo, Norway
The Unavowable Community, Venice Bienal. Catalan Pavilion, with: Archivo F. X./Pedro G. Romero, sitesize; Curated by Valentín Roma. Italy
Angel of History, Postcapital (copyright), Laboral , Curated by Christiane Paul, Steve Dietz. Gijón, Spain

2008
Anna Kournikova Deleted By Memeright Trusted System – Art in the Age of Intellectual Property, Library. Postcapital Archive. Hartware MedienKunstVerein, PHOENIX Halle Dortmund, Curated by Inke Arns and Francis Hunger. Dortmund, Germany
La mediation du conflit/Mediating Conflict, Postcapital (Honor) Maison de La Culture, Montreal, Curated by Sylvie Lacerte. Montreal, Canada
Muestra de Vídeo de Autores Españoles, MUA, Alicante, Curated by Aramis López, Alicante, Spain
Kosmotica II, e-paisaje.org. Centro de Cultura Contemporánea de Barcelona, Curated by Juan Insua, David Casacuberta. Barcelona, Spain
Banquete_nodos y redes. LABoral Centro de Arte y Creación Industrial, Gijón, Curated by Karin Ohlenschläger. Gijón, Spain
The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. Museum of Contemporary Art Vojvodina, Novi Sad. Curators Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Novi Sad, Serbia
e-paisaje.org, Instituto Cervantes, New York City, Beijing
InterACCIONES ELECTORALES, Off Limits, Curated by Democracia. Madrid, Spain
e-idensitat.org. Projecte idensitat, Local | Visitante 2: Manresa, Spain
2nd Biennial 01SJ Global Festival of Art on the Edge, Zero1. San Jose, California, Curated by Steve Dietz. USA
Close Window. Refresh, Senko Studio in Viborg, Curated by Annette Finnsdottir. Denmark
‘Unrecorded’ exhibition questions space. Hacklandscape. akbank Gallery Istanbul. Curated Başak Şenova. Istanbul, Turkey

2007
Extremos del sexto continente. I Bienal del Fin del Mundo. Ushuaia Curated by Gustavo Romano. Ushuaia, Argentina
The Wonderful World of irational.org: Tools, Techniques and Events 1996-2006. CCA Glasgow. Curators Inke Arns (Dortmund) and Jacob Lillemose (Kopenhagen). Glasgow, UK
Pilot 3. VENICE 8-17 JUNE 2007, Monastery of St Damien and St Cosimo, La Giudecca, Venice, Italy
SINTOPÍAS, e-paisaje.org, Instituto Cervantes de Beijing, China

2006
AYERMAÑANA, Facultad de Bellas Artes de Cuenca, Spain
404 Object not found_Seoul, Total Museum of Art, Seoul Curated by Natalie Boseul Shin, Seoul, South Korea
THE WONDERFUL WORLD OF IRATIONAL, Tools, Techniques and Events 1996-2006. Hartware MedienKunstVerein, PHOENIX Halle Dortmund. Curators Inke Arns and Jacob Lillemose. Dortmund, Germany
HackLandscape. PhotoEspaña2006, Matadero Madrid, Curated by Horacio Fernández. MAdrid, Spain

2005
Nulles05, Contemporary Rural representations. Nulles, Spain
Cabanyal Portes Obertes. Valencia, Spain
Juego Doble: Mediactivismo y activismo en la red. With Fran Illich. Centro Cultural de España. Mexico DF., Mexico
MEDIASCAPES. Curated by Montse Badia and Andreas Kaufmann, Fundacio la Caixa, Girona, Spain
On Difference #1, 21. May – 31. July 2005, Württembergischer Kunstverein Stuttgart. Curateb by Iris Dressler and Hans D. Christ, Stuttgart, Germany
Pintar sense pintar. Centre d’Art la Panera. Lleida, Spain
Archive cultures: Representations. Monasterio de Nuestra Señora del Prado. Curated by Jorge Blasco. Valladolid, Spain
MEDIASCAPES. Curated by Montse Badia and Andreas Kaufmann, Fundacio la Caixa, Tarragona, Spain

2004
media_city seoul 2004. The 3rd Seoul International Media Art Biennale, Curated by Johan Pijnappel, Liz Hughes, Hans D Christ. Tilman Baumgaertel. Seoul Museum of Art. Seoul, South Korea
_PROCESSOS_OBERTS_ Curated by Manuel Olveira. Tarrassa, Barcelona, Spain
MEDIASCAPES. Curated by Montse Badia & Andreas Kaufmann, Fundacio la Caixa, Lleida, Spain
Ambulantes.  Portable Culture. Curated by Rosa Pera. Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas. Sevilla, Spain
Tour-isms. The defeat of dissent, critical itineraries. Curated by Nuria Enguita, Jorge Luis Marzo, Montse Romani. Fundació Antoni Tàpies, Barcelona, Spain

2003
El Banquete, Curated by Karin Ohlenschläger .Centro Cultural Conde Duque, Madrid, Spain
ART FOR NETWORKS, Reg Vardy Gallery in Sunderland, UK
Interactiva 03. Bienal Internacional de Artes mMediatícas y Electrónicas. MACAY, Museo de Arte Contemporáneo de Yucatán. Mexico
Banket, metabolismus und kommunikation. Curated by Karin Ohlenschläger and Peter Weibel, ZKM center for art and media. Karlsruhe, Germany
TechnoSkeptic, Bard College. USA
El Banquete, Palau La Virreina, Curated by Karin Ohlenschläger, Barcelona, Spain
Culturas de archivo. Palacio de Abrantes, Curated by Jorge Blasco. Universidad de Salamanca, Spain
e-arco.org, ARCO, MUA (Museo Universidad Alicante), Curated by José Luis Martinez and Aramis López. Madrid, Spain
Art for Networks. The Fruitmarket Gallery. Edinburgh, UK
Art for Networks. Turnpike Gallery. Manchester, UK

2002
Muestra Net-Art, La Casa Encendida, Curated by Laura Baigorri, Madrid, Spain
Art for Networks, Chapter Arts, Cardiff, Walles
Printemps de Septembre Toulouse 2002, Curated by Marta Gili, France
Manifesta 4, Curated by Iara Boubnova + Nuria Enguita + Stéphanie Moisdon Trembley, Frankfurt, Germany
Cultures de Arxiu. Curated by Jorge Blasco. Universidad de Valencia. La Nau. Valencia, Spain

2001
3ª Bienal D’Art Lleida, LLeida, Spain
Antagonisms. Case studies, Curated by Manolo Borja, Macba. Barcelona, Spain
ZKM Medien kunst Preis Karlsrue, Germany
Re: Duchamp. traveling Exhibition, 49th Venice Biennale, Italy
media ambiente/MAd 2001, Ifema, Madrid, Spain
transmediale.01, Winner of the Luzifer prize. Berlin, Germany
New ideas, Old tricks, hARTware projekte, Curated by Hans  D. Christ and Iris Dressler, Dortmund, Germany

2000
PLAN B, De Appel Foundation, Curatorial Training Program, Amsterdam, Holland
Startklar zur Expo …und Sie sind dabei, Deutsche Arbeitsschutzausstellung, Germany
Microwave Festival, Hong Kong, China
Art Entertaiment Network, Let’s Entertain: Life’s Guilty Pleasures, Walker Art Center, Minneapolis, Estados Unidos; Portland Art Museum, USA; Museé national d’art moderne, Centre Georges Pompidou, Paris France; Museo Rufino Tamayo, México DC, México; Miami Art Museum, USA
Tecnologia, ètica i futur, Nuevos medios para el arte. Barcelona, Spain
Tech_nicks, Site Gallery, Sheffield, UK
EXPO Hannover 2000, Spanish Pavilion, Hannover, Germany
Media Z Lounge, New Museum, New York, USA
Dystopia and Identity in the Age of global Communications, Tribes Gallery, New York, USA

1999
net_condition, art and global media, Curated by Peter Weibel, ZKM, Karlsruhe, Germany
Nuevos caminos/Amenazas y promesas del arte electrónico, Casa de las Artes de Vigo, Curated by Manuel Olveira, Vigo, Spain
Wizards of OS, Haus der Welt, Berlín, Germany
Vértigos: artes audiovisuales on-line/off-line, Sala Amadis, Madrid, Spain
Afinidades Dispersas, Fundación Telefónica, Curated by Nuria Enguita, Madrid, Spain
CRASH-mindpoll/thinktank, ICA, London, UK
REDesing, Festival de Navarra, Pamplona, Spain
Mediaterra, Atenas, Greek
Futuropresente, Sala Plaza de España, Curated by Alicia Murria, Madrid, Spain

1998
Sponsored by Technologies To The People®, Union Fraternelle des métallurgistes, París, France
Technoculture [Computer World], Fri-Art Centre d’Art Contemporain Kunsthalle, Friburg, Switzerland
Beyond Interface, Walker Art Center, Minneapolis, Estados Unidos; International Museums & the Web Conference, Toronto, Canada
The Works Presents “Some of my Favourite Websites are Art”, Alberta, Canada
Scattered Affinities, Apex Art CP, Curated by Nuria Enguita. New York,  USA
RESERVATE DER SEHNSUCHT [Reserves of Desire], Unionbrauerei, Curated by Hans  D. Christ and Iris Dressler, Dortmund, Germany
Digital Documentary: The Need to Know and the Urge to Show, pARTs photography gallery, Minneapolis, USA

1997
Desde la imagen, Centre de la Beneficència, Sala Parpalló, Valencia, Spain
Short Cuts/Links to the Body, DASA, Curated by Hans D. Christ and Iris Dressler. Dortmund, Germany

1996
3MVI-Mostra de Video Independent. Floppy Forever, CCCB, Barcelona, Spain
Un-Frieden. Sabotage von Wirklichkeiten (Discord. Sabotage of realities), Kunsthaus & Kunstverein, Curated by Ute Vorkoeper and Inke Arns. Hamburgo, Germany

1995
Arte e ideología, Universidad Politécnica de Valencia, Spain
Elemento de utilización política. Cercanías/Rodalíes, Club Diario Levante, Valencia, Spain

1994
Muestra de Vídeo Joven Español, Cuba; República Dominicana; México; Costa Rica; Venezuela; Colombia; Perú; Chile; Argentina
Imágenes, Centro Cultural Casa de Porras, Granada, Spain
Señores Africanos, Arteleku, San Sebastián, Spain
Estamos vigilando, Cerrado/Itxita y Ocupado con Baja Mar/LOW TIDE GROUP, San Sebastián, Spain
Elemento de utilización política. Cercanías/Rodalíes, Sala Consellería. Alicante, Spain

1993
De Interés Público, Galería Moriarty, Madrid, Spain
Workshop, Sala Parpalló, Valencia, Spain
3º Studio internacional de Tecnologias de Imagem, Sao Paulo, Brasil
La juventud del video, Sala Rekalde, Bilbao, Spain
Video, Sala de Cultura de Inxtxaurrondo, San Sebastian, Spain

Workshops

2010
Observatorio Cultural
(workshop director)
Master of European Design Labs. IED Madrid
http://masterdesigninnovation.com/
http://www.abreelojo.com/general/daniel-garcia-andujar-en-el-observatorio-cultural-del-ied/
Madrid, Spain

¿A dónde vas Madrid? e-ciudades y política cultural en Madrid
(workshop director, with basurama)
Medialab-Prado Madrid
http://medialab-prado.es/article/eciudades
Madrid, Spain

DIT [Do It Together]
(workshop director)
L’Escortxador. Elx, Spain

PSYCHOECONOMY! Corporate Summit Madrid 2010. Matadero Madrid.
The Corporate Summit 2010 was proposed in order to discuss the international financial crisis and prevailing monetary exchange systems. Directed by Gustavo Romano. Madrid, Spain

Camon. Workshop Series: DIT “Do It Together”
‘La aprehensión de la realidad desde el archivo postcapital’
(workshop director)
CAMON. Alicante, Spain

Excursus: Walks and Disgressions Seoul/Gwangju/Daechu-ri
Postcapital Archive
(With Hans D. Christ)
Total Museum of Contemporary Art. Hansung University. Seoul, South Korea

2009
DIT “Do It Together” Workshop Series
(workshop director)
V Encuentro Bienal ArteLanzarote 2009. Sala CICCA de Arrecife. Lanzarote, Spain

open your archive : POSTCAPITAL in Seoul [출처]
(workshop director)
|작성자 totalmuseum. Seoul, South Korea

2008
Apprehension of the Postcapital Archive Reality
(workshop director)
Postcapital Archive Series. Württembergischer Kunstverein Stuttgart. Stuttgart, Germany

Workshop. Transforming Information into Knowledge
(workshop director)
Postcapital Archive Series. Akademie Schloss Solitude. Stuttgart, Germany

Do It Together Workshop Buenos Aires 2008. Seminario Internacionales del Medialab
(workshop director)
Centro Cultural de España. Buenos Aires, Argentina

DIT. Do it Together. Workshop Series.
(workshop director)
AULABIERTA. Facultad de Bellas Artes.Granada, Spain

Sergi / Atölye. Gerçekliğin PostKapital Arşivden Algılanması
(workshop director)
Akbank Sanat Beyoğlu. Istanbul, Turkey

Encuentro/Taller Herramientas del Arte. With Rogelio López Cuenca
Facultad de Bellas Artes. Sala Parpalló. Valencia, Spain

2007
404 Object Not Found Seoul 2007. Total Museum of Contemporary Art. Seoul, South Korea

La desmaterialización de las aulas. transversalia. Centro Párraga. Murcia, Spain

X-devian. The Aesthetic Interface
(workshop director)
Aarhus Kunstbygning. Aarhus, Denmark

el laboratorio de los medios, e-idensitat
(workshop director)
Indensitat 07. Manresa, Mataró, Spain

2006
DIT “Do It Together”, Activismo hacker y software libre,
(workshop director)
Centro Cultural Montehermoso. Vitoria-Gasteiz, Spain

Construyendo e-sevilla.org
(workshop director)
Centro Arte Sevilla, Sevilla, Spain

E-Project
(workshop director)
Total Museum of Contemporary Art. Seoul, South Korea

2005
Práctica artística y tecnologías de información y comunicación.
(workshop director)
Fundación Telefónica Argentina- Centro Cultural de España en Buenos Aires (CCEBA). Espacio Fundación Telefónica. . Buenos Aires, Argentina

Prácticas de empoderamiento tecnológico. [reutilización de tecnología obsoleta y códigos abiertos para artistas]
(workshop director)
Séptimas Jornadas de arte y medios digitales. CCEC,UNC, UBP, Esc de Artes UNC. Cordoba. Argentina

Individual Citizen Republic Project
(workshop director)
Centro Cultural de España. Mexico DF. Mexico

e-Lab. Workshop, „On Difference #1: Lokale Kontexte – Hybride Räume“
(workshop director)
Württembergischer Kunstverein Stuttgart. Stuttgart, Germany

Technologies To The People: reutilización de ordenadores
(workshop director)
Basurama05. La Casa Encendida. Madrid, Spain

Theater der Welt 05. Performer’s Guesthouse. Akademie Schloss Solitude.Stuttgart, Germany

2004
media_city seoul 2004.  The 3rd Seoul International Media Art Biennale. Workshop e-seoul.org
(workshop director)
Seoul. South Korea

MEDIASCAPES. X-devian
(workshop director)
FUNDACIO LA CAIXA, Lleida, Spain

RAM 6
Social Interaction & Collective Intelligence. Vilnius, Lithuania

“Heimatwechsel“ (Change of Home)
International Student Workshop. With hartware medien kunstverein. Fachhochschule für Design (Design College). Phoenix Halle. Dortmund, Germany

Open Space.
(workshop director)
Centro Andaluz de Arte Contemporaneo, Monasterio de la Cartuja de Santa María de Las Cuevas, Sevilla, Spain

2003
El Banquete,
(workshop director)
Centro Cultural Conde Duque. Madrid, Spain

BanqueteWireless
(workshop director)
La Virreina. Barcelona, Spain

2002
DataClouds, on-line participatory environments and ‘open source’
Organized V2_Lab. Emoção Art.ficial. São Paolo, Brazil

Take the Reins!. MediaLab Madrid. Centro Cultural Conde Duque . Madrid, Spain

2001
El Taller. Made in Hangar. Barcelona Art Report 2001. Barcelona, Spain

Lectures & Seminars (selection)

2011
Wikileaks/Wikirebels. ¿La Glasnost de nuestra época?
Centro de Cultura Contemporánea de Barcelona CCCB
Barcelona, Spain

2010
AKME 010. Medios de producción artística en la cultura intermedial
Bilbao Facultad de Bellas Artes de la UPV-EHU.Bilbao, Spain

Magatzems de Memòria // Arxius Virtuals // Transpolítica
L’Archivo Postcapital (1989-2001) Daniel G. Andújar
Pam10. programa d’art multimèdia. Centre d’Art Cal Massó . Reus, Tarragona, Spain

Observatorio Cultural. Master of European Design Labs. IED Madrid
http://masterdesigninnovation.com/
http://www.abreelojo.com/general/daniel-garcia-andujar-en-el-observatorio-cultural-del-ied/
Madrid, Spain

Global Network for citizen participation. October 2010.
Museo San Pio V, Sala Parpallo
http://www.danielandujar.org/2010/10/11/global-network-for-citizen-participation-valencia-october-2010/
Valencia , Spain

XVII Image Symposium THE RUSTLE OF IMAGES.
International seminar. Centro de Arte Dos de Mayo. Directed by Aurora Fernández Polanco. . Madrid, Spain

DIT [Do It Together]
L’Escortxador. Elx, Alicante, Spain

Installation / Ausstellung: Dokumente von Daniel G. Andújar
Instituto Cervantes Hamburg. Hamburg, Germany

Videoarte hecho en España
Centro de Arte Complutense. Universidad Complutense de Madrid. Madrid, Spain

The second UNESCO World Conference on Arts Education, hosted by the Government of the Republic of Korea and co-organized by UNESCO
Second World Conference on Arts Education. Seoul, 25 – 28 May 2010
http://www.artsedu2010.kr/index.jsp
http://portal.unesco.org/culture/en/ev.php-URL_ID=40928&URL_DO=DO_TOPIC&URL_SECTION=201.html
Changes of social role and responsibility of cultural institutions and actors incl. artists
Seoul, South Korea

2009
La Biennal de Venècia 2009
Macba, Barcelona , Spain

Sympoium Subversive Praktiken / Practices
Württembergischer Kunstverein, Stuttgart, Stuttgart, Germany

On és la bretxa? Debat obert sobre el funcionament de la cadena de valor en les Arts Visuals
TPK Arts Plàstiques, Barcelona, Spain

iD Barrio. Idensitat 2009
Seminario internacional + taller de proyectos
LA Capella, Barcelona, Spain

Multitud Singular: El arte de resistir
Este es un tiempo para la acción
Museo Nacional de Arte Reina Sofía
Madrid, Spain

Tertúlia-sopar. La Biennal de Venècia 2009
Ateneu Barcelonès.Barcelona, Spain

CANÒDROM’09
Jornades internacionals de debat per a un nou Centre d’Art a Barcelona
Macba, Barcelona, Spain

banquete_nodos y redes
Museo Nacional de Arte Reina. Madrid, Spain

3er Encuentro Inclusiva-net: net.art (segunda época). La evolución de la creación artística en el sistema-red
Medialab-Prado Madrid, Cultural de España. Buenos Aires, Argentina

2008
Arquitecturas De La Cultura Del Mañana-Mañana
El archivo y la red: organización, distribución y acceso al conocimiento
Medialab-Prado Madrid, Spain

Outskirts: Reflection on current artistic practices found outside the centre
Directed by Cabello/Carceller.
Centro Cultural Montehermoso. Vitoria-Gasteiz, Spain

Dictadura, Arte y Archivo
Casa Amèrica Catalunya. Barcelona, Spain

Infraestructuras Emergentes
Encuentros internacionales sobre gestión y creación artística independiente
MUViM. Valencia, Spain

2007
La desmaterialización de las aulas
transversalia. Centro Párraga. Murcia, Spain

Encuentro en teoría
Reflexiones sobre la hospitalidad desde las Prácticas Artísticas Contemporáneas
MDE07. Medellín. Colombia

Un mundo sin copyright
Centro de Cultura Contemporánea de Barcelona CCCB. Barcelona, Spain

2006
INTERACCIÓ’06
Políticas culturales de proximidad
Centro de Estudios y Recursos Culturales (CERC). Barcelona, Spain

404 Object not found Symposium
Art Center Nabi. Seoul, South Korea

VISIBLE/INVISIBLE.
L’ART CONTEMPORANI I ELS MITJANS DE COMUNICACIÓ.
Centre de Creació i Pensament Contemporani. Mataró, Spain

Arte: identidade e globalizació
Presidencia del Consello da Cultura
Consello da Cultura Galega (CCG). Santiago de Compostela,Spain

Los Materiales del Artista (The Materials of the Artist)
Centro Cultural Conde Duque. Madrid, Spain

La función de los blogs en el sector cultural
Casa de América. Madrid, Spain

Arte y política.
Muvim. Valencia, Spain

Comunidades on y offline.
La inteligencia colectiva a través de los blogs.
Centro José Guerrero. Granada, Spain

¿Preguntas reales o preguntas retóricas? Ficciones y relatos en torno al alcance y los agentes de la educación artística.
CGAC. Centro Gallego de Arte Contemporáneo. Santiago de Compostela, Spain

Taller de Arte Público L.Q.N.H. celebrada en el CAC
Málaga, Spain

S.A. (Su)Ciudad Anónima,
Zaragoza, Spain

En Abierto, ¿Interactivos?.
Medialab Madrid, Centro Cultural Conde Duque. Madrid, Spain

Arte Ilegal
Copyfight. CASM. Barcelona, Spain

2005
Estrategias para entrar y salir de ARCO.
Las nuevas relaciones entre arte y economia
MACBA
Barcelona, Spain

Jornadas sobre  Eusebio Sempere y el Centro de Cálculo.
MUA Universidad Alicante.
Alicante, Spain

“La audiovisualización del arte”
Mediateca La Caixa
Caixa Forum
Barcelona, Spain

Usos críticos de la tecnología.
Centro Cultural parque de España
CCPE, AECI
Rosario. Argentina

Séptimas Jornadas de arte y medios digitales
CCEC, UNC, UBP,Esc de Artes UNC
Cordoba, Argentina

Jóvenes y consumo
Universidad de Alicante. Universidad de Verano Rafael Altamira. Alicante, Spain

QUAM 05 . MIND THE GAP.
Quincena de Arte de Montesquiu.
FÒRUM. Castillo de Montesquiu. Barcelona, Spain

2004
INTERACCIÓ’04
Políticas culturales de proximidad
Centro de Estudios y Recursos Culturales (CERC). Barcelona, Spain

SITAC
Third International Symposium on Contemporary Art Theory
Teatro de los Insurgentes. Mexico DF, Mexico

Dimensiones Variables
Espai01. Olot, Spain

“Mundos Digitales”.
Centro Galego de Artes de la Imaxe
Univ. de A Coruña. La Coruña, Spain

hackers.
El Arte de la abstracción
Museo Nacional de Arte Reina Sofia. Madrid, Spain

Art & Artificial Life Internacional.
Telefonica foundation. Madrid, Spain

PROCESSOS_OBERTS
Tarrasa, Spain

2003
Sonar 03.
El Taller, Hangar. Barcelona, Spain

Foro Cam, Alicante, Spain

Hangar, Barcelona, Spain

2002
Canarias en la red
Las Palmas de Gran Canaria, Spain

Hull Time Based Arts
rootx. HULL, UK

Universidad Valencia
Valencia, Spain

emoção art.ficial
Itaú Cultural. Saõ Paulo, Brasil

Centro Cultural Conde Duque
Madrid, Spain

Trespassing Space
Manifesta 4. Frankfurt, Germany

L’Educació de l’ Art Avu
Centro Cívico de Sant Andreu. Barcelona, Spain

Jornadas Educación
Castellón, Spain

Intimate Technologies
The Banff Centre, Canada

Centrodearte.com
Madrid, Spain

Fundaciò Miro
Barcelona, Spain

2001
transmediale.01,
Berlin, Germany

Annual report 2000
Fundació La Caixa. Barcelona, Spain

2000
Atelier North
Oslo, Norway

Digital is not analog
Bologna, Italy

De Appel Foundation
Amsterdam, Holland

La Sociedad Informacional
Universidad Alicante. Bellas Artes de Altea. Alicante, Spain

Tech_nicks
Site Gallery. Sheffield, UK

Access Space
Sheffield, UK

1999
New Media Art
TVVV.plotas. artist.media.communication
Vilnius, Lithuanian

Navigating Intelligence: A Banff Summit,
The Banff Centre, Canada

Expo Destructo/The exhibition
Post-Media Pressure, Open Gallery, Londres, UK

Vértigos: artes audiovisuales on-line/off-line
INJUVE. Madrid, Spain

Quinzena d’Art de Montesquiu
Castillo de Montesquiu, Barcelona, Spain

The Next 5 Minutes 3
Post Governmental Organisation/PGO Project
Amsterdam, Holland

Podium
hARTware projekte. Dortmund, Germany

1998
Hypertribes
The Lovebytes Digital Arts Festival 1998. Sheffield, UK

Virtual Revolutions
V2_Organisation. Rotterdam, Holland

1996
Künstlerhaus
Dortmund, Germany

1997
Anti with E conferences
NetPolitics, Backspace. London, UK

Take care with your language
Trade Mark project, CERN
(European Lab for Network Collision)

1994
Video Independiente en la Comunidad Valenciana
Club Diario Levante. Valencia, Spain

Urban interventions
Arteleku
San Sebastián, Spain

1993
6 artístas de video español a iberoamerica
IVAM, Instituto Valenciano de Arte Moderno. Valencia, Spain

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