‘La Comunitat Incofessable‘ takes its title from Maurice Blanchot‘s 1983 book ‘La Communauté inavouable’ (The Unavowable Community), and from Blanchot’s inquiry into the nature and possibility of community and interpreting communism as ‘that which creates community’. The thread between the three projects is the questioning of the single authorship, as the artists constantly appropriate preexistent materials (photographs, data…) and reconfigure new archives, new readings of these materials. The project is divided into three parts: the exhibition taking Blanchot’s reference to the library as a space for knowledge; the catalogue (with reprinted texts by Blanchot, as well as Jean Luc Nancy, Giorgio Agamben, Philippe Lacoue-Labarthe, etc.) as well as essays and interviews related to the artists projects by Gerard Horta, Iris Dessler, Jacob Lillemose, Manuel Delgado amongst others) and a website which will host a vast archive around the notion of communality.

During yesterday’s press presentation, Roma briefly presented the conceptual lines and academic aspirations of the exhibition. Curiously, considering that the project reflects on the use and reuse of images, archives and libraries – whether concerning territory and landscape (Sitesize), geopolitical changes between the fall of the Berlin wall and 9-11 (Daniel G. Andújar) or information about iconoclasm in Spain (Pedro G. Romero) – there was no visual material shown during the presentation, and no photo documentation related to the artists in the press packs. We will have to wait for the artists’ presentations in a month’s time at MACBA, as announced yesterday (date TBC).

Roma also commented on the challenges in presenting ongoing research and extensive archival materials in an attractive exhibition format – those who saw Pedro G. Romero’s ‘F.X. Archive: The Empty City’ at the Fundació Tàpies in 2006 might remember a huge scaffolding structure filled with the buzz of printers, flashing TV monitors, wires and stacks of paper. Josep Bargalló (director of the Institut Ramon Llull) and Josep-Lluís Carod-Rovira’s speeches predictably praised the historical role of Catalunya as a center of debate, innovative cultural society and the pavilion’s aim to make the take note of Catalan cultural production.

Why is it that in every such press conference the first question from the floor always related to the budget? In this case the exhibition’s coffers total €500,000, plus a exceedingly generous €200,000 for the publication (in Catalan, Italian, Spanish and English) plus c. €5,000 for a website. The agreement with the city of Venice is that they could use the Magazzini del Sale #3 for no rental fee but, according to Bargalló, they would contribute towards the restauration of the spaces to the tune of €40,000, adding up to €745,000. On top of that are curatorial and artists fees, press & marketing, flights, accommodation, opening events, invitations, etc. A hearty budget.

More info: www.veneziacatalunya2009.cat

RELATED LINKS:
Click here to read the full list of participating artists in ‘Fare Mondi/Making Worlds’;
Here to read the 53rd Venice Biennale Press Release (dated 23 March 2009);
Here to read the full list of Eventi Collaterali
Here to read about the Catalan project

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