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	<title>Daniel G. Andujar Archive &#187; Vladan Joler</title>
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	<description>by Technologies To The People</description>
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	<itunes:summary>by Technologies To The People</itunes:summary>
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	<itunes:author>Daniel G. Andujar Archive</itunes:author>
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		<title>Daniel Andujar / Street access machine (Mašina za ulični pristup)</title>
		<link>http://www.danielandujar.org/2009/06/16/daniel-andujar-street-access-machine-masina-za-ulicni-pristup/</link>
		<comments>http://www.danielandujar.org/2009/06/16/daniel-andujar-street-access-machine-masina-za-ulicni-pristup/#comments</comments>
		<pubDate>Tue, 16 Jun 2009 14:46:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Srpski]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Gordana Nikolić]]></category>
		<category><![CDATA[iSam]]></category>
		<category><![CDATA[Kristian Lukić]]></category>
		<category><![CDATA[Novi Sad]]></category>
		<category><![CDATA[reviews about Daniel G. Andújar]]></category>
		<category><![CDATA[Street Access Machine]]></category>
		<category><![CDATA[Technologies To The People]]></category>
		<category><![CDATA[Vladan Joler]]></category>

		<guid isPermaLink="false">http://www.danielandujar.org/?p=579</guid>
		<description><![CDATA[opisi radova sa izložbe Programska selekcija: Wealth of Nations Proizvodi koje nudi „Technologies To The People“ (TTTP), kompanija koju je osnovao Danijel G. Anduhar, idu od „the Street Access Machine®“ (mašine za pristup ulici), preko „the Recovery Card®“ (kartice za oporavak) i „Internet Street Access Machine®“ (internet mašine za pristup ulici), sve do „The Personal <a href='http://www.danielandujar.org/2009/06/16/daniel-andujar-street-access-machine-masina-za-ulicni-pristup/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<div><a href="http://www.cinemacity.org/view_film.php?id=134" target="_blank"><em>opisi radova sa izložbe </em></a></div>
<div>
<p><img style="float: left; margin-right: 10px; margin-bottom: 10px;" src="http://www.cinemacity.org/media_lib/files/masina_za_ulicni_pristup.png" border="1" alt="" /></p>
<p align="left"><strong><em>Programska selekcija: </em></strong><a href="http://www.cinemacity.org/film_search.php?selekcija=22">Wealth of Nations</a></p>
</div>
<p>Proizvodi koje nudi „<a href="http://www.danielandujar.org/tag/technologies-to-the-people/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Technologies To The People">Technologies To The People</a>“ (TTTP), kompanija koju je osnovao Danijel G. Anduhar, idu od „the <a href="http://www.danielandujar.org/tag/street-access-machine/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Street Access Machine">Street Access Machine</a>®“ (mašine za pristup ulici), preko „the Recovery Card®“ (kartice za oporavak) i „Internet <a href="http://www.danielandujar.org/tag/street-access-machine/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Street Access Machine">Street Access Machine</a>®“ (internet mašine za pristup ulici), sve do „The Personal Folkcomputer®“ (ličnog narodnog računara). Svi ovi (izmišljeni) proizvodi i tehnologije za cilj imaju da omoguće onima na nižoj društvenoj lestvici da učestvuju u nastalom informatičkom društvu. Dok „<a href="http://www.danielandujar.org/tag/street-access-machine/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Street Access Machine">Street Access Machine</a>®“ obećava „pristup za svakog”, „<a href="http://www.danielandujar.org/tag/street-access-machine/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Street Access Machine">Street Access Machine</a>®“ i „Recovery Card®“ omogućavaju prosjacima da primaju uplate putem kreditne kartice. Ovaj projekat razotkriva uverenje koje propagiraju oni koji proizvode srodne produkte (i po kalifornijskoj „ideologiji”), da je potencijal demokratizacije neodvojiv od tehnologije. Svet prikazan kroz TTTP na njihovim posterima i lecima nije ništa pravedniji zahvaljujući upotrebi novih tehnologija, niti je dostupan svima – uprkos tvrdnjama provajdera telekomunikacionih aplikacija. Čak i ako koriste najnovije info-društvene alatke, prosjaci ostaju prosjaci, društveno marginalizovani ostaju društveno marginalizovani. Tehnologije naginju jačanju,više nego menjanju društvenih struktura. Kada je projekat 1996. godine prikazan u Hamburgu, dobili su (pravi) i-mejl od Apple-a, u kojem se iskazuje zainteresovanost te kompanije za (izmišljeni) spektar proizvoda TTTP-a.</p>
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		<item>
		<title>Wealth of Nations</title>
		<link>http://www.danielandujar.org/2009/06/11/wealth-of-nations/</link>
		<comments>http://www.danielandujar.org/2009/06/11/wealth-of-nations/#comments</comments>
		<pubDate>Thu, 11 Jun 2009 08:16:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[English]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Gordana Nikolić]]></category>
		<category><![CDATA[iSam]]></category>
		<category><![CDATA[Kristian Lukić]]></category>
		<category><![CDATA[Novi Sad]]></category>
		<category><![CDATA[Street Access Machine]]></category>
		<category><![CDATA[Technologies To The People]]></category>
		<category><![CDATA[Vladan Joler]]></category>
		<category><![CDATA[Wealth of Nations]]></category>

		<guid isPermaLink="false">http://www.danielandujar.org/?p=571</guid>
		<description><![CDATA[Wealth of Nations Wealth of Nations Exhibition (6–14th June, Trg Slobode, Novi Sad)Conference (7th and 8th June, SNP, kamerna scena) Wealth of Nations is a part of the Cinema City festival and consists of an exhibition and a conference. The term ‘Wealth of Nations’ is the title of the seminal book by the Scottish economist <a href='http://www.danielandujar.org/2009/06/11/wealth-of-nations/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p><em><span style="color: #666666;"><a href="http://www.danielandujar.org/tag/wealth-of-nations/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Wealth of Nations">Wealth of Nations</a></span></em> <span style="font-weight: bold;">Wealth of Nations</span><br />
<span style="font-weight: bold;"><a href="http://www.danielandujar.org/tag/exhibition/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Exhibition">Exhibition</a> (6–14th June, Trg Slobode, <a href="http://www.danielandujar.org/tag/novi-sad/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Novi Sad">Novi Sad</a>)</span><br style="font-weight: bold;" /><span style="font-weight: bold;">Conference (7th and 8th June, SNP, kamerna scena) </span></p>
<p style="text-align: justify;"><img src="http://eng.cinemacity.org/media_lib/files/WEALTH_OF_NATIONS.png" border="1" alt="" hspace="6" vspace="6" align="left" />Wealth of Nations is a part of the Cinema City festival and consists of an exhibition and a conference. The term ‘Wealth of Nations’ is the title of the seminal book by the Scottish economist Adam Smith, in which he establishes and defends the basics of Liberal Economic Policy. Liberal Economics experienced its peak in the 1990s after the concept of Real Socialism had failed and the global free market had been established. This economy, however, has entered a period of deep crisis in the past few months and it might, for a shorter or longer period, affect the stability of societies all over the planet. The topic of ‘Wealth of Nations’ this year will delve into the influences that the Economic and Financial sectors have on society and consequently, on cultural production.</p>
<div style="text-align: justify;">The aim of both the exhibition and the conference ‘Wealth of Nations’ is to bring together Art, Theory, Social Sciences and Economics, Cultural Studies and Finance in order to discuss the phenomenon of money within different social and historical contexts and meanings. According to its definition money is : a) a measure of value b) a medium of exchange and c) a medium of capital accumulation. The fact is that money is never solely money as a measure of economic value. It is a measure of value that participates in the constitution, and the control and regulation of both the material and nonmaterial (irrational or imaginary) social body/subject and its relations. From such a position, money can be viewed as the basis of social power, as the main element or measure of value, or as a symbolic or numerical abstraction. <span id="more-571"></span></div>
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<div style="text-align: justify;"><img src="http://eng.cinemacity.org/media_lib/files/dolariii151.jpg" border="1" alt="" hspace="6" vspace="6" align="right" />It is interesting to see that the field of Finance is really an exclusive field which is well known only to a selected group, which, like priests or shamans, functions within the global banking system. Periodical financial crises over the last two centuries (the current global crisis is apparently the thirteenth) arouse our curiosity about the mechanisms, the structure and the rules of the global system. On the one hand, the Internet is there to help with the easy dissemination of information and, on the other hand, it adds tidal waves of various conspiracy and control theories, which act as disinformation when studying the nature and the control of the spirit and the flow of money.</div>
<p style="text-align: justify;">This is what Marx wrote about money in his notes ‘Power of Money’: ‘If I have no money for travel, I have no need — that is, no real and realisable need — to travel. If I have the vocation to study but no money for it, I have no vocation to study — that is, no effective, no true vocation. On the other hand, if I have really no vocation to study but have the will and the money for it, I have an effective vocation for it.’According to Marx, money, in its role of the external universal medium, transforms the real and essential power of man and nature into an abstract concept, and thus into imperfect and disturbing visions. In the same way, money transforms the real imperfections and visions, essential powers that are impotent in reality and exist only in a person’s imagination, into true essential power and capability. In view of the above, money causes a general deformity of the characteristics of the subject and makes its own attributes appear contradictory. Simmel’s Philosophy is a fundamental criticism of Marx’s political economy although both authors agree that money has various functions (measure of value, medium of exchange and medium of capital accumulation). To Marx, money is the embodiment of abstract labour, and its value is determined by the conditions of production.</p>
<p style="text-align: justify;"><img src="http://eng.cinemacity.org/media_lib/files/eurodolar21.jpg" border="1" alt="" hspace="6" vspace="6" align="left" />Marx believed that capitalist production, with its relationship between money, labour and capital, is responsible for the contradictions of the modern, industrial society. To Simmel, on the other hand, monetary economy as such is the reason for social relationships being soulless. Simmel criticises the ‘economisation’ of money, and places money into the wider concept of human experience. To him money is only loosely connected to a material basis and is, instead, a social phenomenon, a form of human interaction. As Poggi claims, to Simmel money is the central structure and symbol in the historical formation of the modern society.</p>
<p style="text-align: justify;">Finance is simply the monetary activity of managing money. Finance is the production of monetary funds. Viewed like that, money constitutes both the means and the aim of Finance, a means that is an aim in itself and an aim without the means. Simmel believes that the ideal point of money, the same as of Law, is to be the measure of other things without measuring itself.</p>
<p style="text-align: justify;">In his book, State of exception, Agamben analyses states of emergency and claims that the means are always independent of the aim they achieve. The means do not stand in relation to the aim, positioned, instead, in relation to their own mediality. Thus Finance becomes a means without purpose and they financialize only their own financialization. The latest research claims that 97% of the total amount of dollars in circulation is virtual, they only exist as numerical information and only 3% of dollars circulating in the world is real paper money, real cash.</p>
<p style="text-align: justify;"><img src="http://eng.cinemacity.org/media_lib/files/k_foundation.jpg" border="1" alt="" hspace="6" vspace="6" align="right" />Money as capital and capital as money operates easily within the concepts of commodification, gets integrated into life itself and slowly grows into the wider context of material, into nature and energy (ecocapitalism, energy politics). Marazzi claims that the sectors of accumulation of capital, such as Health, Education and Culture, are the ones which today generate the most revenue and create the most jobs. It is due to the fact that these services, which used to be state owned, are currently undergoing transition into the private sector. On top of that there is Ecology with its privatization and financialisation of nature.</p>
<p style="text-align: justify;">The current situation reflects the new classes and satisfactions, among which is the class of priests, brahmans, who know the secrets, the laws and the processes of the financial world. How long this has been going on without change is clear from the latest researhes into money in Antiquity. William H. Desmonde writes about money bearing divine insignia that was made in temples. Rene Guenon speaks of the symbolic elements of druidic doctrines on Celtic money. The social system has two options in this situation: either the goods and monetary system will fundamentally change or the subjects will have to start learning about the basics of Economy and Finance. Therefore it is essential to build understanding of this complex field of Finance through educating and motivating those who are not privy to financial science and its applications. The question is whether the financial system would collapse if a critical mass of subjects got to understand financial laws, if they understood the system which is based on self-reference and the resulting mystification.</p>
<p style="text-align: justify;"><a href="http://www.danielandujar.org/tag/kristian-lukic/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Kristian Lukić">Kristian Lukić</a></p>
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<p style="text-align: justify;"><span style="font-style: italic;">Reference</span>:<br />
Simmel, Georg, The Philosophy of Money (1900) / Ed. by D.Frisby.- L., N.Y.: Routledge. 1995<br />
Deflem, Mathieu ,“The Sociology of the Sociology of Money: Simmel and the Contemporary Battle of the Classics.” (2003) Journal of Classical Sociology 3(1): 67-96<br />
Guénon, René, The Reign of Quantity and the Signs of the Times (1945), Sophia Perennis, 2001<br />
Marazzi, Christian Measure and Finance (2007) / presented at &#8216;Measure for measure: a workshop on value from below&#8217;, Goodenough College, London, 21st September 2007<br />
Agamben, Giorgio, State of Exception, (2005), University Of Chicago Press<br />
Marx, Karl, Power of Money, (1844) http://www.marxists.org/archive/marx/works/1844/manuscripts/power.htm</p>
<p style="text-align: justify;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Wealth of Nations</span></p>
<p style="font-weight: bold; text-align: justify;">LISTS OF THE PARTICIPANTS:</p>
<p style="text-decoration: underline; font-weight: bold; text-align: justify;">Izložba / Exhibition:</p>
<p style="text-align: justify;">1.    <a href="http://eng.cinemacity.org/view_film.php?id=146" target="_self">Daniel Andujar / Street access machine *1996</a>.<br />
2.     <a href="http://eng.cinemacity.org/view_film.php?id=147" target="_self">Derivart / Hipotecadoria *2007.</a><br />
3.     <a href="http://eng.cinemacity.org/view_film.php?id=148" target="_self">Heath Bunting / Skint, the internet beggar *1996.</a><br />
4.    <a href="http://eng.cinemacity.org/view_film.php?id=149" target="_self">Heath Bunting / In a possession of the post office credit card</a><br />
5.     <a href="http://eng.cinemacity.org/view_film.php?id=150" target="_self">Hempmen / Zaboravi money *2006</a>.<br />
6.     <a href="http://eng.cinemacity.org/view_film.php?id=151" target="_self">IRWIN (M. Abramović, B. Brecelj) / Namepickers *1988.</a><br />
7.     <a href="http://eng.cinemacity.org/view_film.php?id=152" target="_self">Islamsko bankarstvo</a><br />
8.   <a href="http://eng.cinemacity.org/view_film.php?id=153" target="_self">Kate Rich / Feral trade *od 2003.</a><br />
9.     <a href="http://eng.cinemacity.org/view_film.php?id=154" target="_self">K Foundation / Burn a million quid *1994.</a><br />
10.    <a href="http://eng.cinemacity.org/view_film.php?id=155" target="_self">Likvidirane krune</a><br />
11.    <a href="http://eng.cinemacity.org/view_film.php?id=156" target="_self">Luchezar Boyadjiev / GastARTbeiter *2000.</a><br />
12.    <a href="http://eng.cinemacity.org/view_film.php?id=157" target="_self">Max Kaiser / Hollywood Stock Rxchange *od 1996.</a><br />
13.   <a href="http://eng.cinemacity.org/view_film.php?id=158" target="_self">Metahaven / Sealand identity project – Grey cards *2003–2004.</a><br />
14.    <a href="http://eng.cinemacity.org/view_film.php?id=160" target="_self">Michael Aschauer / 0EURO *2009</a><br />
15.     <a href="http://eng.cinemacity.org/view_film.php?id=159" target="_self">Mladen Stilinović / Kineska posla *2009.</a><br />
16.    <a href="http://eng.cinemacity.org/view_film.php?id=161" target="_self">Natalie Jeremijenko and The Bureau of Inverse Technologies / Despodency index</a><br />
17.    <a href="http://eng.cinemacity.org/view_film.php?id=162" target="_self">OlaPehrson / NASDAQ vocal index *2003–2004.</a><br />
18.     <a href="http://eng.cinemacity.org/view_film.php?id=163" target="_self">Shu Lea Cheang / Agliomania</a><br />
19.     <a href="http://eng.cinemacity.org/view_film.php?id=164" target="_self">Slavko Bogdanović / Porez na promet *1970.</a><br />
20.     <a href="http://eng.cinemacity.org/view_film.php?id=165" target="_self">Vladimir Todorović / Nildegree *2008</a><br />
21.    <a href="http://eng.cinemacity.org/view_film.php?id=166" target="_self">Zajam za privredni preporod Srbije *1989.</a></p>
<p style="text-align: justify;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..</p>
<p style="font-weight: bold; text-align: justify;">INTERNATIONAL CONFERENCE &#8220;WEALTH OF NATIONS&#8221;<br />
7 &#8211; 8 June, 11 am – 5 pm<br />
SNP, Chamber Stage</p>
<p style="text-align: justify;">Finances and monetary policy are mostly a matter of interest exclusively of a small circle of devotees. Even the social sciences, broadly speaking, avoided exploring the mutual relation between finances and other aspects of social activities. However, with the serious development of financial crisis some questions, which go behind the narrow sector of economy and finances, have been emerging.</p>
<p style="text-align: justify;">Having experienced the Great Depression in the 30s of the 20th century, and its implications for the beginning of the Second World War, there are many of those who are worried about the further development of the present state of capitalism&#8217;s global crisis. The development of so called criticism of finances, is trying to explore other models of economies and relations which bypass the so called monetary ideology and praxis, as dominant form of economic conversion, within the context of symbolic trade.</p>
<p style="text-align: justify;">Syntax &#8220;Wealth of Nations&#8221; (Adam Smith) is on one hand, an ironic theme for today&#8217;s state of liberal economy in crisis, and on the other hand, raises a serious question: what really constitutes value? Is it social interaction, beliefs and fears along with market indexes? To what extent is money nature or culture? Is money equivalent of goods, labour, or is it self-referential?</p>
<p style="text-align: justify;">At the conference participants and speakers, including economists, sociologists, artists, activists, philosophers and culture theoreticians, will try to answer these questions and provoke a wider debate on finances, as the social praxis, and its wider implications in domain of rational and irrational.</p>
<p style="font-weight: bold; text-align: justify;">June 7th, Sunday</p>
<p style="font-weight: bold; text-align: justify;">11:00 &#8211; 13:00<br />
<a href="http://eng.cinemacity.org/view_film.php?id=168" target="_self">MAN-DEATH-CREDIT</a></p>
<p style="text-align: justify;">Slavko Bogdanovic<br />
Stefan Heidenreich<br />
Ralph Heidenreich</p>
<p style="font-weight: bold; text-align: justify;">15:00 &#8211; 17:00<br />
<a href="http://eng.cinemacity.org/view_film.php?id=169" target="_self">RESOURCES-WEALTH-PROPERTY</a></p>
<p style="text-align: justify;">Konrad Becker<br />
Matteo Pasquineli<br />
Marko Rakic</p>
<p style="text-align: justify;"><span style="font-weight: bold;">June 8th, Monday</span></p>
<p style="font-weight: bold; text-align: justify;">11:00 &#8211; 13:00<br />
<a href="http://eng.cinemacity.org/view_film.php?id=170" target="_self">VALUE-ALGORITHM-MAGIC</a></p>
<p style="text-align: justify;">Darko Pantelic<br />
Felix Stalder</p>
<p style="font-weight: bold; text-align: justify;">15:00 &#8211; 17:00<br />
<a href="http://eng.cinemacity.org/view_film.php?id=171" target="_self">ART-INVESTMENT-INDEX</a></p>
<p style="text-align: justify;">Luchezar Boyadziev<br />
Mar Canet<br />
Shu Lea Cheang</p>
<p style="text-align: justify;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</p>
<p style="text-align: justify;">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.</p>
<p style="font-weight: bold; text-align: justify;">WEALTH OF NATIONS &#8211; izložba i konferencija / exhibition and conference<br />
(Bogatsvo naroda)</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Programski direktori / Program directors:</span><br />
<a href="http://www.danielandujar.org/tag/vladan-joler/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Vladan Joler">Vladan Joler</a>, Kristian Lukić</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Kustosi / Curators</span>: Vladan Joler, Kristian Lukić, <a href="http://www.danielandujar.org/tag/gordana-nikolic/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Gordana Nikolić">Gordana Nikolić</a></p>
<p style="text-align: justify;"><span style="font-weight: bold;">Urednici konferencije / Conference editors</span>: Kristian Lukić, Gordana Nikolić</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Izvršni direktor / Executive director:</span> Natali Beljanski</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Produkcijski tim / Production team:</span> Jana Katić, Igor Zarol</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Koordinator / Coordinator : </span>Ibis Ćerimagić</p>
<p style="text-align: justify;"><span style="font-weight: bold;">IT podrška / IT support: </span>Predrag Tegeltija</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Tehnička podrška / Technical support:</span> Pajica Dejanović, Đorđe Popić</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Stejdž menadžeri / Stage managers</span>:<br />
Anton Bereš, Ivan Dervišević, Kristina Kaćanski, Dušanka Stepanov</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Produkcija / Production:</span><br />
STATE OF EXIT &amp; THE CREATURES, Novi Sad</p>
<p style="text-align: justify;"><span style="font-weight: bold;">Ko-produkcija / Co-production:</span><br />
Muzej savremene umetnosti Vojvodine, Novi Sad / Museum of Contemporary Art of Vojvodina, Novi Sad <a href="http://www.msuv.org/" target="_self">www.msuv.org</a></p>
<p style="text-align: justify;">Institut za fleksibilne kulture i tehnologije-NAPON, Novi Sad / Institute for flexible culture and technologies-NAPON, Novi Sad <a href="http://www.napon.org/" target="_self">www.napon.org</a></p>
<p style="text-align: justify;">Umetnička asocijacija-INBOX, Novi Sad / Art Association-INBOX, Novi Sad <a href="http://www.inbox.rs/" target="_self">www.inbox.rs</a></p>
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